A Quote by John Hillcoat
I kept hearing about this incredible guy called Tom Hardy. I started watching his work, and I was awestruck - he was amazing.
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I learn from Kevin Spacey and Tom Hardy, watching these guys work, the things they all do differently. Tom never stops exploring and discovering, take after take. His mind never turns off.
Hearing Phil [wood] a lot, those few years especially when I was going to hear music and Tom Harrell was in the band. Man that was incredible. Hearing Tom at that period, and hearing Phil in that period, and also [Charles] McPherson. Those three guys were very impactful. Very inspiring to me at the time.
I spoke to Tom's [Hardy] manager and said, "While we're talking about Taboo, do you mind if I also mention this film project that I've got, which is called Locke, and I need Tom to play the lead." And we spoke about both in that meeting and in the end the deal was that I would do Taboo if he did Locke and vice versa.
I really liked the helicopter pilot in 'Dawn of the Dead', when he gets bitten and comes out of the elevator. That guy was amazing. He did this incredible walk that we didn't even know about until we started shooting.
Venom' is a standalone character who has so much attitude, menace and ferocity. He's also really funny in the comics and in our movie. He's a really compelling guy that can completely stand on his own. When he's played by Tom Hardy, and Eddie Brock is his partner, that relationship is enough for one movie.
I think it would be ridiculous to work with Tom Hardy. I hear some crazy things about him, and he's also really good.
What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.
You know, duality has always been a strong theme throughout 'Venom'-focused stories, whether it's in the comics or in movies, and that's something I think that Tom Hardy's played with in a lot of his work.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
I started off first doing a TV series called 'Boston Common.' That was my first big job, and then I went on to do another half hour comedy show, and that was with Tom Arnold, called 'The Tom Show.'
I've become very close with Tom Hardy. I love Tom to bits.
Coaching was always intriguing to me as a kid. Watching 'Monday Night Football' with my dad and hearing him talk through the game management and watching the Tom Landrys and Don Shulas on the sideline was more intriguing to me than watching Troy Aikman or Dan Marino throw the ball.
Growing up on Mad Men with so many incredible actors and then going on to other things with amazing people, I never had any formal acting training, but they are all acting schools, basically. Just watching and learning from the best is insane. It's like having an internship and watching all these amazing people doing their work. You just soak it up like a sponge, hopefully.
Tom Hardy is such a good egg. He's a total teddy bear. He loves his dogs and his kids. He's a true artist. But he's a lovely, naughty, funny man.
I would love to work with Tom Hardy. Maybe do something crazy or dramatic that is different for me.
I was watching a movie called 'Perfume.' The book is really good, but the movie is really bad. My friend was making fun of it. He kept calling this obese guy a perfume genius. When I started putting my songs up on MySpace, I didn't know what was going to happen. I actually didn't put much thought into a name and just quickly used Perfume Genius.
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