A Quote by John Hillcoat
It's great to make strong, powerful films, but in terms of people wanting to finance them, it's also very difficult.
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What most of us must be involved in--whether we teach or write, make films, write films, direct films, play music, act, whatever we do--has to not only make people feel good and inspired and at one with other people around them, but also has to educate a new generation to do this very modest thing: change the world.
It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance.
A lot of the young people make beautiful films or big films or are able to finance them, but they can't get anyone to distribute them, they can't get anyone to see them, so they go to these thousands of film festivals. So I still believe that even though a young kid might be able to make a masterpiece or something that changes the direction of cinema, the issue of how to get it to people is still not solved.
I think generally the heads of terrorist groups are very, very smart people. They're also great manipulators. I would presume that cult leaders are identical. These sort of individuals are very strong, they have very strong charisma.
Ronaldinho is total class - a very, very great player. He is quick, powerful, and has extraordinary technical qualities. He is a dribbler but is also a player who can make the play for his teammates. He's not really a No.10, a true organizer. He's more a second attacker who can score goals and has the vision to make them.
Let's be very clear: Strong men - men who are truly role models - don't need to put down women to make themselves feel powerful. People who are truly strong lift others up. People who are truly powerful bring others together.
The right wing can use anything, and we have to make it very clear and I make it very clear that my love for the president in terms of protecting him and respecting him but also correcting, now all three of those are crucial, and if I can do all three, then the right wing can use it whatever they want, and I'm just clear where I stand, over against them but also critical when the president leans toward the strong, rather than the weak.
I hear, more than ever, people actively searching for women to direct, actively wanting to finance women's films, which is not to say it is easy, but I think it's been a great instance of how journalism has put pressure on business to be more fair between genders.
What I want to do is make films that astonish people, that astound people, and I hope you want to do that too. It's easy to make money. It's easy to make films like everybody else. But to make films that explode like grenades in people's heads and leave shrapnel for the rest of their lives is a very important thing. That's what the great filmmakers did for me. I've got images from Fellini, from Bergman, from Kurowsawa, from Bunuel, all stuck in my brain.
For me, collages manage to - it satisfies all of my madness, like I'm able to make these obsessive things, but then I'm also able to make these very strong statements. I don't know what they mean to other people, but in my mind, they have a very strong particular resonance; there's sort of a power.
Strangely, producing "Parisienne" was very long and difficult because the people who mainly finance films didn't understand the idea of a young foreign girl having a good time in Paris. They wanted to see her suffering and poor, and definitely not falling in love with three French men!
There's a difference between wanting to be respected and being a strong female and being known for being able to do things, but still very much wanting guys to open the door, wanting them to ask us out, still bringing flowers and stuff like that.
I've been able to make some wonderful films, but sometimes you make films with great passion - great belief - and these films slightly don't work at the box office, and they become your favorite films.
Social media could be very strong in terms of bringing people together but it also takes up so much of people's time that I wonder if we've lost the ability to daydream.
For the Nintendo Switch, we were very deliberate in wanting to make sure, from a Nintendo publish standpoint, that we had a steady cadence of great games in addition to strong titles at launch.
I've always been interested in how people think, how they react to challenges in their lives - what makes people tick. I've also always been passionate about social issues and causes, and I wanted to make films that addressed important issues in very human terms.
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