A Quote by John Hillcoat

It's not awards per se that bother me; it's entirely to do with the impetus they give for marketing a film. — © John Hillcoat
It's not awards per se that bother me; it's entirely to do with the impetus they give for marketing a film.
An actor should not bother about the camera per se, and what kind it is.
We proclaim human intelligence to be morally valuable per se because we are human. If we were birds, we would proclaim the ability to fly as morally valuable per se. If we were fish, we would proclaim the ability to live underwater as morally valuable per se. But apart from our obviously self-interested proclamations, there is nothing morally valuable per se about human intelligence.
I don't want to do a war film per se. Nor do I want to do a political film.
The reality is that we have all these awards and all these festivals that give out awards, so you sort of go, 'okay, well, people liked the film, and I think it's a good film, and it's up for an award - well, I guess it should win the award then.'
The traditional ways to make a film, the traditional ways to share a film, have all collapsed. There are no gatekeepers, per se, any more, and anything can be done. Truly, I feel that.
I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality.
The problem with Russia is not corruption per se, or even Putin per se. Russian government is not corrupt because Vladimir Putin has absolute power. Russian government has been corrupt and will always be as long as anyone has absolute power.
Let's just call what happened in the eighties the reclamation of motherhood . . . by women I knew and loved, hard-driving women with major careers who were after not just babies per se or motherhood per se, but after a reconciliation with their memories of their own mothers. So having a baby wasn't just having a baby. It became a major healing.
Well, rather than to give you my impression on Los Angeles, per se, my older sister's husband is and American, therefore I have a pretty good idea of the, perhaps the characteristics of Americans in general.
Criticism per se does not worry me. I've always solicited it as part of the design process.
I say have the night and give people the awards, but why do people want to watch people win awards? What are they getting out of it? I don't quite get it. Because they have awards all the time; there's awards for butchers, the best meat served, but they don't televise it. I don't know why they do it for films or TV programs.
I don't like looking at awards everyday because I feel like they can make you lazy. So, I give them to my Mom and let her look at it everyday. They are symbols of the hard work she put into me. Her sacrifices allowed me and my team to win those awards. But I don't look at any awards everyday.
It's not me trying to act or pose in a certain way. It's a lifestyle - like a suaveness or a swag, per se.
I was at the New York Film Critics Circle Awards one year - they called me up when somebody canceled two days before the thing, and asked me to present some awards. So I went, and one of the funniest film moments I've ever had was when they introduced the New York film critics. They all stood up - motley isn't the word for that group. Everybody had some sort of vision problem, some sort of damage - I had to bury myself in my napkin.
I was entirely wrapped up in the idea of becoming an actor. I learned how to write on the job, basically out of necessity. I always thought it'd be fun to write something, but it never was an ambition of mine, per se. I just thought, "Well, maybe I'll do it one day just for the hell of it and see if it works."
I collect objects I fall in love with more than antiques per se. Value is not a criteria that attracts me to something.
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