A Quote by John Hillcoat

I consider myself a humanist. Even if I do very dark worlds, I try to make those characters real humans as opposed to just cartoons. — © John Hillcoat
I consider myself a humanist. Even if I do very dark worlds, I try to make those characters real humans as opposed to just cartoons.
I love it when characters surprise you, just like real people. When I write a scene I just try to make the characters behave in a way that feels natural to them. Sometimes that means they make a left turn and do something unexpected. Those are always the best scenes in my opinion.
It's funny, I don't even consider myself a rapper, I don't consider myself a designer, or even an actor. I just like creating stuff and trying to make good work, whatever it is. I don't care if it's designing toothbrushes. It's just making cool stuff to leave behind, that's all it is, it's nothing more.
You try to make characters you care about, and I think realism helps. Even though this is a high concept, the characters have got to be real.
I consider myself a Jewish writer - even if my characters frequently are not Jewish - in the same way, I guess, that I consider myself a Jewish man, even though I don't often attend shul.
I want to try not to repeat myself. But then I seem to do it continuously in my films. It's not something I make any effort to do. I just want to make films that are personal, but interesting to an audience. I feel I get criticized for style over substance, and for details that get in the way of the characters. But every decision I make is how to bring those characters forward.
Very thorough in the rehearsal process but more in terms of just understanding the characters, understanding where the actors are at with discovering those characters for themselves, and just setting an overall emotional tone for the piece as opposed to necessarily getting things up on their feet or staging scenes.
As a kid, I just loved cartoons. And as the credits went by, I'd study those names and then try to figure how I could get hired to do what Mel Blanc and Daws Butler did. Create all of these great voices for animated characters.
I don't consider myself a great drummer. I consider myself just a music fan that's a very, very passionate artist, and the drums just happen to be my instrument.
Even if I am just sleeping with her or just watching cartoons in bed, I know Violet values that. I try to make the most of every moment and just make it special with her, because its what matters to me most.
I don't consider myself a competition to anyone. There is ample space for everyone here. When there are directors who create characters for me, why should I feel bothered or insecure? When it comes to updating myself, I work very hard to relate to the emotions of characters I play.
I don't consider myself as a feminist but more a humanist.
I consider myself a political revolutionary humanist.
In a weird way, I never wanted - I don't consider myself a very good writer. I consider myself okay; I don't consider myself great. There's Woody Allen and Aaron Sorkin. There's Quentin Tarantino. I'm not ever gonna be on that level. But I do consider myself a good filmmaker.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
I don't have any special approach for playing dark characters. That's because I never looked at them as dark characters per se. For me, they were real people.
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