A Quote by John Hillcoat
I've realized I've become a bit reactive to each film I do. After 'The Road,' I was desperate to do something that had color and warmth to it and a stronger sense of community.
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We have to keep in practice like musicians. Besides, there are still potentialities to be realized in color film. To us, it's just like bringing up a child. You don't stop after you've had it.
Three years after my first trip to Haiti, I realized there was another emotional note that had to be reckoned with: the intense, vibrant color of these worlds. Searing light and intense color seemed somehow embedded in the cultures that I had begun working in, so utterly different from the gray-brown reticence of my New England background. Since then, I have worked predominantly in color.
We have to get to the point where each individual, each corporation, each community chooses low carbon, because it makes fundamental sense. It should become a no-brainer.
I was on Instagram or something, and I checked my tagged photos, and I realized that suddenly they were all LGBT artwork. I was like, 'Oh, my God!' I had no idea. It was the first time I realized I was a figure for that community.
I was on Instagram or something and I checked my tagged photos, and I realized that suddenly they were all LGBT artwork. I was like, "Oh, my god!" I had no idea. It was the first time I realized I was a figure for that community.
There are challenges as far as underfunding in various parts of the city. But spirit and sense of community is so much stronger in the places we've been. In Hollywood and Beverly Hills for example, people stay to themselves and live away from others in their gated communities. Despite being a native West Angelino, I had never really felt a strong sense of community until "South Of Wilshire". I now feel it because of the show.
Argentina is a bit tough to people. You don't embrace genre film in general. They are more like, in the film community, a bit snobby.
God knows just the place where you'll be placed. He has a barren living room in desperate need of warmth and joy. A corner of the world needs some color. He selected you with that place in mind.
I waited for each film to become important for me. If I had no ideas for a film, I didn't do a film. So I made not that many films for fifty-four years of working.
It's absolutely fine to be a bit more reactive and not chase after the ball at times. But you cannot be passive.
When I was president, I knew exactly what I wanted to do every day to bring America together and create a greater sense of opportunity and a larger sense of responsibility and a stronger sense of community.
Only after awhile. After it came out and people began to engage in discussions about the social reflections of the film that I realized it had an importance I hadn't thought of.
There are things that you could do with film that you could never do with HD. There's a warmth and an organic quality - almost a handmade quality - that goes into film. Film will always have a bit more of a humanistic feeling to it.
Democrats believe that government should reflect the sense of community that Americans demonstrated after Katrina - the sense of community that has defined and united America throughout its history.
By doing things when you are too tired, by pushing yourself farther than you thought you could - like running the track after a two-hour practice - you become a competitor. Each time you go beyond your perceived limit, you become mentally stronger.
I like actors who just become that person and then react, and Adam [Driver] is completely reactive in that way. So every day working with him was really a pleasure. And he's in almost every scene in the film, so the poor guy had to work the - almost the entire 30 days of our film shoot. But, yeah, he was really a pleasure, and I really love what he - how he embodied this character.
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