A Quote by John Hillcoat
I like to do commercials that are more than just flogging a product. It needs to have something to say. It's always an opportunity for a director to say something substantial and interesting.
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I think there are lots of opportunities to improve the product. When you read the press, people say, "Oh, the product needs improvement." I look at that and say, "Hey, that's an exciting thing to get behind!" Because they can improve that product. That leaves more upside from an innovation and revenue potential than you're gonna find in a lot of places. So you could say that's a downside, I see that as an opportunity.
If you see something, say something. This is more than a slogan. If you see someone turning toward violence, say something. Say something to law enforcement or to one of you in your community.
I want to have something substantial to say or I'm just not going to say anything.
When somebody listens and laughs, you're always in better shape than when you're with those folks who just kind of look at you when you say something funny. You wonder if they're looking at you because they're mad that they didn't say it or something. It's hard to handle that.
If there's anything I could undo - usually when I want to undo things its like right on the moment because I look to the stuff that I go through in my life and something always comes out for a reason so I'm doing that. But, its always that when you say something that's just so asinine and so stupid, you're like, ahh, if I could just, please, have an undo button just to not say that.
I start with the aim of making something instrumental, and then I'm just like, 'Agh, no, it's not interesting enough. I've got to say something here.'
Now, I have the opportunity to catch more balls and I relish the opportunity, ... Its something Ive always wanted. I think I needed a change. It was like Groundhog Day, doing the same thing over and over again. What better place could I be than to come to New York and try to put everybody to the side and say, This is who I am.
Writer's block is just a symptom of feeling like you have nothing to say, combined with the rather weird idea that you should feel the need to say something. Why? If you have something to say, then say it. If not, enjoy the silence while it lasts. The noise will return soon enough.
My mom and grandma always told me: if you don't have anything nice to say, don't say anything at all. It's something everyone needs to be more conscious about. Putting more positive energy out into the world would be so beneficial.
I’m not a sociopath or a freak (although I don’t suppose people who are sociopaths or freaks self-identify as such); I just don’t enjoy being with people. People, at least in my experience, rarely say anything interesting to each other. They always talk about their lives and they don’t have very interesting lives. So I get impatient. For some reason I think you should only say something if it’s interesting or absolutely has to be said.
I never say something I cannot do. And I always will do more than I can say.
I just always loved stand-up. It's like magic. You say something, and a whole room full of people laughs together. Say something else, they laugh again. The fact that people come to see that and participate in that... I don't know, it's just like magic.
'Quick Change' was my first real movie. It was an interesting audition process because there were no lines in the script. Bill Murray's character would say something, and Geena Davis and Randy Quaid would say something, and then it would just say, 'The cabbie speaks.' How do you audition for that?
I'm much more interested in what an actor has to say about something substantial and important than who they're dating or what clothes they're wearing or some other asinine, insignificant aspect of their life.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
I've always thought I'd like to be something more exotic than C of E. I can't even say I'm lapsed. You don't lose your faith when you are Church of England - you just can't remember where you left it.
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