A Quote by John Hope Franklin

It was necessary, as a black historian, to have a personal agenda. — © John Hope Franklin
It was necessary, as a black historian, to have a personal agenda.
The black radical agenda, which pushes us closer to freedom and the agenda to which I subscribe, calls for an eradication of white supremacy and an adoption of values and traditions endowed from the black experience.
If you have no agenda of your own, life will work according to its agenda. Your personal agenda is taking you further and further away from that.
A black agenda is jobs, jobs, jobs, quality education, investment in infrastructure and strong democratic regulation of corporations. The black agenda, at its best, looks at America from the vantage point of the least of these and asks what's best for all.
I am so proud to be black. I am, nevertheless, tired of the oppression. We need to develop and support a cohesive black agenda. We need to do what leaders have suggested since slavery. We need to recognize that while we are not monolithic, there is power in embracing a common agenda.
The black agenda, from Frederick Douglas to Ida B. Wells to Martin King, has always been the most broad, deep, inclusive, embracing agenda of the nation.
I am a critic who is pulled toward history. But Bob Dylan himself is a great historian. He is an historian who acts out history. So it always has a personal stamp. It always has a particular timbre. It always has a particular howl, or a moan, in that voice.
The Obama administration excelled at pushing its radical agenda through any means necessary. Since its gun-control agenda was not going anywhere, it decided to control ammunition, which would have had the same effect.
Hindsight is the historian's necessary vice.
I liked the fact that there were so many different representations of black women and black men in the movie. It wasn't like we all had the same agenda.
The Body thinks it has an agenda that is important. And the Mind imagines that its agenda is vital to your survival. But the older you get the more you realize that it is the Soul's agenda, and only the Soul's agenda, that matters.
Frederick Douglas's agenda was an agenda, not for black people to get out of slavery. It was for America to become a better democracy. And it's spilt over for women's rights; it's split over for worker's rights and so forth.
Black is the absence of all color. White is the presence of all colors. I suppose life must be one or the other. On the whole, though, I think I would prefer color to its absence. But then black does add depth and texture to color. Perhaps certain shades of gray are necessary to a complete palette. Even unrelieved black. Ah, a deep philosophical question. Is black necessary to life, even a happy life? Could we ever be happy if we did not at least occasionally experience misery?
It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.
Jesus existed, and those vocal persons who deny it do so not because they have considered the evidence with the dispassionate eye of the historian, but because they have some other agenda that this denial serves.
The historian must have some conception of how men who are not historians behave. Otherwise he will move in a world of the dead. He can only gain that conception through personal experience, and he can only use his personal experiences when he is a genius.
Making movies is about control. You need to control your narcissism in the first place, and you need to be disciplined enough to understand the reason for the film. You need to follow the agenda of the film, not a personal agenda or that of the studio. Or, worst of all, of the actors.
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