A Quote by John Kani

A telenovela is a story that's like a soapie, but it has a beginning, middle and an end. — © John Kani
A telenovela is a story that's like a soapie, but it has a beginning, middle and an end.
A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
I used my daughter's crayons for each main character. One end of the wallpaper was the beginning of the story, and the other end was the end, and then there was all that middle part, which was the middle.
I let myself go at the beginning and write with an easy mind, but by the time I get to the middle I begin to grow timid and to fear my story will be too long. . .That is why the beginning of my stories is always very promising and looks as though I were starting on a novel, and the middle is huddled and timid, and the end is...like fireworks.
Man no longer lives in the beginning--he has lost the beginning. Now he finds he is in the middle, knowing neither the end nor the beginning, and yet knowing that he is in the middle, coming from the beginning and going towards the end. He sees that his life is determined by these two facets, of which he knows only that he does not know them
People have forgotten how to tell a story. Stories don't have a middle or an end any more. They usually have a beginning that never stops beginning.
Every single song I write has to feel like it has a beginning, middle, and end, like a movie or a short story.
Once you call something a story, it's set in stone. It has a beginning, a middle, and an end that can't be transformed, because by definition, if you do that, it's not the same story anymore
Not every story in history has a beginning, a middle and an end, but the wreck of the Titanic does. It begins when they leave, in the middle it hits an iceberg, and in the final two hours, the ship sinks.
You realize time isn't just a period that you tell a story within - it becomes a major character in the film. There is no beginning, middle, end because there is always stuff beginning and ending simultaneously.
I don't necessarily believe that stories need closure. I just believe they need a beginning, middle, and end, but the end doesn't have to prevent us from continuing to grapple with the story at hand. It ideally should demand that we remain engaged with the story.
A story should have a beginning, a middle and an end, but not necessarily in that order.
When I set out to write a screenplay, I have in my mind a beginning and an end but that end part continually changes as I start to write the middle. That way by the time the screenplay is finished I have taken myself and my audience from a familiar beginning point through the story to an unfamiliar ending point.
The point about a great story is that it's got a beginning, a middle and end.
Remember: a story is not a vignette. It has a beginning, middle and an end. It is not merely a snapshot in time.
To just tell a story from beginning, middle and end doesn't motivate me that much.
In the end, the railroads made America and nanotech will make the 21st century, and that is the end of the story. The beginning of the story and the end of the story.
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