A Quote by John Lanchester

Fires and floods, we're hardwired to accept them or at least file them under Bad Things Happening. But there's something so abstract and so modern about a bank making a technical mistake about how it funded its obligations to depositors, and suddenly you're out of work.
When you've displayed a weakness, you've displayed something a person can grab a hold of and attack you there. If you're not ashamed of it, who can make you feel bad about it? Nobody. If you make a mistake, at least you get to see them, identify them, acknowledge them and hopefully remedy them.
Thousands of children are killed by handguns in the United States each year. What is that about? What are we doing? We accept that? And we accept the presence of these weapons that are in silos and on submarines and airplanes? If any madman gets hold of them - and certainly there are madmen out there who will figure out how to get hold of them, they always have - what are we even making such things for?
Don't ever think of bad things that could happen, and you'll have a better chance of them never happening. Don't ever think about doing something bad to someone, because depending on the intensity of your mind waves, something bad could really happen to them. Think love. Be love. Breathe only love, and love you shall be. When you stress out, things will stress out around you. Always control your thoughts and pacify any unnecessary stress. Control your vibrations and you are the master of your own harmony.
They say the average bank robber lives within say about 20 miles of the bank that he robs There's this little bank not so far from here I've been watching now for a while Seems like lately alls I can think about is how bad I wanna go out in style
When I make a film, I never stop uncovering mysteries, making discoveries. When I'm writing, filming, editing, even doing promotional work, I discover new things about the film, about myself, and about others. That is what I'm subconsciously looking for when shooting a film: to glimpse the enigmas of life, even if I don't resolve them, but at least to uncover them. Cinema is curiosity in the most intense meaning of the word.
My philosophy involves imaging terrible things happening all the time, and getting used to it, so reality isn't so bad. And then you're always happy. You really just have to think yourself through it. That is how I've been able to come to happiness, but it is a subtle difference between scaring yourself all the time with terrible things happening, it's more about actually about making peace with it. That's my advice.
No matter how non-technical your life and work, you're going to have to interact with technology and technical people. If you know something about how devices and systems operate, it's a big advantage.
We know there are states, like Alaska, where there are not a lot of providers. How do we work on issues like that? How do we work on making sure that the small-business part of this works better?... And if people have [alternate] plans, let's compare them and see. Access, affordability, and quality - that's what this is about. [But] "repeal" is a symbol of something that I don't think is connected to the substance of what's happening. Do you want to take away care from people who have preexisting conditions? [Repeal] takes you backward.
Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
Families will not be broken. Curse and expel them, send their children wandering, drown them in floods and fires, and old women will make songs of all these sorrows and sit on the porch and sing them on mild evenings.
If somebody says, "You like putting out fires," and I say, "It's not a case of liking it, but I do put them out, and if there aren't fires left I make them, so I can put them out." It's what we do.
I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
I started making work, and it's like, yes you are calling out all of these things that are part of your memory, your body's memory, things that have gone through your pores, what you've seen, what you've experienced, and you spill them out without thinking. I don't think so much about, "Okay, I'm going to make work, and it's going to be about this." It's just going to come out.
People ask, 'How do you work with the other side?' Well, I start by not saying bad things about them.
My first program taught me a lot about the errors that I was going to be making in the future, and also about how to find errors. That's sort of the story of my life, making errors and trying to recover from them. I try to get things correct. I probably obsess about not making too many mistakes.
For me, if there's something I don't like about myself, I'll accept it - the sooner you can accept it, then you can work on making it better.
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