A Quote by John Lasseter

People have a real love of looking at small worlds - something inside them is innately attracted to that 'miniature' realm. — © John Lasseter
People have a real love of looking at small worlds - something inside them is innately attracted to that 'miniature' realm.
You know what? I'm really attracted to British women, there's something innately proper about them. However badly they behave their accent is so cute that it makes up for everything!
I'm attracted to stories that excite my imagination, stories that, as I'm reading the script, I feel it, I can see it, I can hear the characters. I'm attracted to characters that are real, that tap into something inside me that I haven't explored yet.
The Formless Supreme Being abides in the Realm of Eternity. Over His creation He casts His glance of grace. In that Realm are contained all the continents and the universes, Exceeding in number all count. Of creation worlds upon worlds abide therein; All obedient to His will; He watches over them in bliss, And has each constantly in mind.
I consider myself to be more real-sized than most of the actresses in California and in show business. They're very small. They're like miniature people.
I got starstruck not by someone who is famous, but by someone who's famous in the miniature painting community. When I was a kid, I used to paint miniatures. There were famous people in the miniature community from forums online. I went to some big event and I saw them in real life and I was so starstruck.
The higher worlds are around us. These worlds are not only heavenly worlds, not only worlds of happiness, though paradise and happiness are in them, but they are also worlds that could be terrible for the people, by dangerous facts and creatures.
I came upon whatever I'm doing organically. I didn't study anything. I don't have any real aspirations other than to connect with somebody, and to have the conversation be genuine. That's the best that can happen. Even if it only happens for 10 minutes in an episode. But I think what people forget is that you don't have to try to get a comedian to be funny. Comedians are innately funny. That the real challenge of talking to them is to get them talking about real things and then see where they need to be funny. And let them do that on their own volition.
The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.
Everybody has a secret world inside of them. I mean everybody. All of the people in the whole world, I mean everybody — no matter how dull and boring they are on the outside. Inside them they've all got unimaginable, magnificent, wonderful, stupid, amazing worlds... Not just one world. Hundreds of them. Thousands, maybe.
My belief is that people are innately good and innately do want to help their fellow man.
I had said that Le Guin's worlds were real because her people were so real, and he said yes, but the people were so real because they were the people the worlds would have produced. If you put Ged to grow up on Anarres or Shevek in Earthsea, they would be the same people, the backgrounds made the people, which of course you see all the time in mainstream fiction, but it's rare in SF.
God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. ... Yeah, It. God ain't a he or a she, but a It.
I've always been attracted to characters with insurmountable odds and obstacles, because innately, however inarticulately I've always believed that my dreams and my desires can command and bend time and space to be the things that I want them to be.
I think architecture could be understood as the construction of realities, or the construction of worlds. One of the reasons why architects are often attracted to philosophers, partially, has to do with making sense of the world around us as well as the making of worlds, and in our case, the realities we create can be as real as concrete. These kinds of ideas, of wild imagination, go into the question of how you make a world.
People who are innately funny are innately disturbed.
Are you looking for something real in this world of illusions? Call me. Casual Flings need not apply. I am looking for Love.
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