A Quote by John Lasseter
The closer you get to reality, the harder it is to make it look convincing to the audience. That's why I tend to make things [films] that are a little bit more caricature.
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It's always my goal to be more mature-sounding, more convincing, but also more experimental, and more challenging for myself. If it's not a little bit harder every time I make a new track, then I'm being lazy.
I started to make harder jokes before anyone else did. And the producers would get anxious. They'd say, 'That's a little bit hard-edged, isn't it?' And I'd say, 'Let's just try it and see how the audience reacts. If they don't like it, let's cut it out.' And the audience roared with laughter, so I learned you could do this harder humor and people loved it.
When critics or people judge, I think it's harder to make a commercial, pop movie than it is to make a pretentious art film. It's harder to reach millions of people and satisfy them and make them happy. These films kind of get ghettoized, this genre because there are so many big, big movies that are such big hits, but aren't any good. The audiences, they're not judging the style of the director, or the execution of the film. They're just looking to be entertained. They want to escape from their reality, and that's why we make movies, to get people to escape from the realities.
When you've got a lot of slaves at your command, you tend to get a little bit fat. You tend to get a little bit lazy. You tend to get a little incompetent because there's not much that you do for yourself anymore.
With a lot of films, people are sitting on the outside looking in, but I want the audience to get a bit more intimately involved with what's going on, so that they maybe can experience it a little bit more intensely.
I enjoy things that are so far away from me; that's why, when I play things that are a little bit closer to me, I get really bored. When it's something that's the antithesis of what I am, there's much more to lose yourself in.
I've always been such a fan of short films - in fact, I never considered that I would actually make a feature. I just thought I wanted to make shorts for the rest of my life. They are a lot harder to have shown and a lot harder to find and see as an audience, but I don't know. It's just a form that I really love. I was just making them for the process, but ultimately, I did get them into festivals, and they did end up on television, and they had as much of a life as short films can.
I get bored. We seem to have been having a little bit more time off this winter than last winter. I'm always itching to get back in the car. It's going to get harder, so I've got to make sure that I'm doing everything I possibly can do to make sure I can start next season how I ended this season.
On stage I have to amplify some of my emotions with my back or make something a little bit more obvious because my audience might be very far away from me, or very high up and find it harder to read what I'm trying to express.
The movies I make - the goal isn't a mass audience. They're not expensive films. So the attempt is to reach a much more limited audience - one would say an audience that enjoys films that challenge them emotionally and intellectually.
It's easier to greenlight your own films when you're not surrounded by other people aspiring to make films. You have to work a little harder and rely more on yourself and your collaborators and the real relationships you have. There are so many hypotheticals that dominate the industry, and everyone's always waiting for someone else to tell them when to make a film and write a check and sign the talent.
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
It's not harder to make a couple extra substitutions. That's not hard. You get different things when you make changes, you gain things and you lose things. But overall, if you gain things, that's why you play extra guys.
I will say that 'Riverdale,' yes, is a little more sensationalized. It's based on comics, and it is a little bit more dramatic and a little bit more made for TV, made for teens. For '13 Reasons,' we tried hard to make it as real as we could, as close to reality as possible. No corners were cut; everything was very raw and very real.
I want to try not to repeat myself. But then I seem to do it continuously in my films. It's not something I make any effort to do. I just want to make films that are personal, but interesting to an audience. I feel I get criticized for style over substance, and for details that get in the way of the characters. But every decision I make is how to bring those characters forward.
I think I've got a responsibility to be home a little bit more, be available to my family a little bit more and do some things to help make our country better. I don't know what that is right now, but we'll see.
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