A Quote by John Lasseter
Pixar has been compared to fine furniture makers who polish the backs of drawers - even if you don't see everything in a particular scene, you still feel that every little detail has been met.
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Every scene in 'Ganga Jamuna' has been spellbinding for me. I can see the film any number of times and still not be able to pinpoint a scene and say 'This is the best scene!' Every scene is perfect.
Everything has already been done. every story has been told every scene has been shot. it’s our job to do it one better.
Everything he had ever done that had been better left undone. Every lie he had told — told to himself, or told to others. Every little hurt, and all the great hurts. Each one was pulled out of him, detail by detail, inch by inch. The demon stripped away the cover of forgetfulness, stripped everything down to truth, and it hurt more than anything.
Without going into too much detail, the end of my major action scene, after the climax of the scene, there was one little change that I suggested regarding the way things should turn out. It was in the detail of the tears of blood.
If African film makers had one-tenth the amount commanded by film makers the world over - even the amount used by so-called shoestring film makers - I think we would see quite an explosion of African films on the world scene.
Ever come home and found your room messed up? Like some helpful person (hi, Mom) has tried to "clean" it, and suddenly you can't find anything? And even if nothing is missing, you get that creepy feeling like somebody's been looking through your private stuff and dusting everything with lemon furniture polish?
Death and resurrection are what the story is about and had we but eyes to see it, this has been hinted on every page, met us, in some disguise, at every turn, and even been muttered in conversations between such minor characters (if they are minor characters) as the vegetables.
I been seeing newspapers every Sunday morning, white dudes be in there in their drawers, never having no bulge in they drawers. Smiling at you. If I ain't have no bulge, I wouldn't be smiling!
When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.
I feel kind of fortunate that over the last 25 years I've been in almost every Disney/Pixar film.
There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.
Everything has been said and everything has been done, but you still feel like you are looking for something.
I have never been part of a scene. I've always been a bit of an island really, but I am fine with that.
Well we took it apart scene by scene. We examined every sentence, every full stop, every comma. He has a most wonderful eye for detail, Roman, and you know, he's a very good artist.
David Tennant is a massive fan, and grew up dreaming he would be the Doctor Who one day. So I did feel, when I first got the job, "Right, now I've got to do loads of research into absolutely everything Doctor Who." But that's not possible to do in a short space of time. So my knowledge has been growing and developing as I've been doing it, and that's been fine. That's been appreciated by the fans, and the executives never expect me to be brushed up on absolutely everything.
I met the guys at HeavyRoc through the drummer in St. Lucia, Nick Brown. He is Ben from The Knocks' cousin, and at the time we'd been doing some work together, but everything was still very much in the unsure developmental phase (even though I'd been in it for a year and a half). I told him that if he was going to play the music for anyone that he shouldn't say anything about it and should just play it and see if anyone says anything, and he did it one day at their studio and they loved it and got it touch.
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