A Quote by John Lasseter

At Pixar, we do sequels only when we come up with a great idea, and we always strive to be different than the original. — © John Lasseter
At Pixar, we do sequels only when we come up with a great idea, and we always strive to be different than the original.
The only reason I would write a sequel is if I were struck by an idea that I felt to be equal to the original. Too many sequels diminish the original.
Most people know me at Pixar as the guy that doesn't like to do sequels or very reluctant to do sequels.
The real truth - like anything, you have an idea about something you might write and it changes. People reflect on it or you get other ideas and maybe your original idea is radically different than how it ends up being. It's not a theorem. You don't sit down and prove something. You start with an initial idea and it grows and grows. The math of the narrative changes. In some ways your original document and what the film ends up being are quite different.
If you come up with the original idea on your laptop, anything else is an embellishment of that idea. It's nice to have the option to mix inside a big studio, but at the end of the day, it comes from an original spark, which often happens while sitting on the couch.
A great idea is usually original to more than one discoverer. Great ideas come when the world needs them. Great ideas surround the world's ignorance and press for admission.
A great idea is usually original to more than one discoverer. Great ideas come when the world needs them. Great ideas surround the world's ignorance and press for admission.
The Greek language seems different than other languages. I'm not the only person to think this. Usually, I come up with some kind of dopey metaphor for why it's different. But it seems, somehow, more original, more like being in the morning of language.
People talk a lot about Pixar going off the rails. A lot of people are saying they aren't happy that we are making sequels. But for every one of those people, there is one that is happy because they fell in love with the worlds we created. We hope we've proved that a sequel can be every bit as enjoyable as the original.
I have not come up with anything original. It needs a better brain than mine! I have done what I can do in taking Dawkins' idea and extending it.
I would love to do Doc again, no question. It's tough to come up with an idea that contains the excitement of the original three. So it would be a real challenge for the writers to come up with an original 'Back to the Future' story that has the same passion and intensity and excitement as the other three. But it could be done. You never know.
I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
I auditioned for 'Coco' when I was nine years old, and I had no idea I was auditioning for a Disney/Pixar movie. When I was 10, they told me that it was going to be a Disney/Pixar movie, and I was just mind-blown. I was so shocked and thankful that I was going to Pixar.
You never want to have a movie be derivative, because that's the worst if you ask me. I always want to be in original material, or an original idea, or an original vision, rather than a rehash of some other movie.
Similarities in the vampire genre are so rampant that there's really no such thing as an original idea - only an original take on an idea that's been done before.
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
I wouldn't be creatively satisfied if all we did were sequels, but in the same breath, I'll say that I wouldn't be creatively satisfied if everything was an original. It's good to use the different parts of my brain. Very different rules apply.
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