A Quote by John Lasseter

I love bringing the inanimate object to life. — © John Lasseter
I love bringing the inanimate object to life.
Inanimate objects can be classified scientifically into three major categories: those that don't work, those that break down and those that get lost. The goal of all inanimate objects is to resist man and ultimately to defeat him, and the three major classifications are based on the method each object uses to achieve its purpose. As a general rule, any object capable of breaking down at the moment when it is most needed will do so.
To me, respect for human life begins with making it more difficult to obtain an inanimate object that is designed to snuff it out.
A book which is left on a shelf is a dead thing but it is also a chrysalis, an inanimate object packed with the potential to burst into new life.
There's something about seeing this little inanimate object coming to life that's just very exciting. That's why with 'Nightmare' I held out for so long to do it.
What stop-motion does best is present real objects magically brought to life in a very imperfect situation; the hand of the artist is there, the electricity of someone touching, massaging and torturing themselves to get life out of an inanimate object.
Never fight an inanimate object.
What my work is about is, 'Can something that is not an inanimate object be considered valuable?'
Being in the body of an African-American woman, I prefer animation. I get to be everybody. I don't have to always be the white girl's best friend. I can be the princess. I can make an inanimate object come to life. I can be a little boy. I can be anything.
I always design the hat with the wearer in mind; otherwise, it's an inanimate object.
No inanimate object is ever fully determined by the laws of physics and chemistry.
From inanimate object, to microorganism, to plant, to insect, to animal, to human, there is an evolving level of intelligence.
Pronouns really don't matter in a song - 'I' or 'he' or 'she' or even subscribing a lyric to an inanimate object.
And I was very successful at baby photography... Strange isn't it? Because some of my portraits of babies were - I used dramatic lighting, shadow lighting, and I didn't use flash. We didn't have flash in those days, we just had floodlights, and I was photographing babies as I would an object - an inanimate object, for that matter.
I always liked the challenge of that, how to take an inanimate object and build something around it that's scary.
I find it ridiculous to assign a gender to an inanimate object incapable of disrobing and making an occasional fool of itself.
There's some sort of unspoken license... when outlandish things come out of an inanimate object, somehow it equals humor.
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