A Quote by John Milius
I've always been able to survive by writing, though.
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My grandma always said, "Where there's a will, there's a way." I think it's just naturally in our DNA to be able to survive. We was always taught that: to survive. When you talking about slavery, it's to survive.
All my life, I have been a positive thinker... I have always been able to survive by telling myself that no matter how bad things are, they will one day be better. And that out of every event - no matter how tragic - one can always find a way to survive and even, perhaps, to be a little bit happy.
The key to being able to let go of all the stuff you're holding on to is knowing that you'll be okay if you don't have it.
And that's the truth.
You can survive with very little. And though the passing of people and things can be painful, you will survive.
My life has really been about writing, though some think it's all about once having been in a ball dress and having an odd life and marrying all the time. But it's the writing that's always been the point.
I look upon [writing about religion] as a nice way to get by in this precarious world, though I've never been able to do it myself.
The only way I've been able to survive the betrayal of lovers, family members, and society is to be able to create as an artist.
I've always been very grateful that enough people have enjoyed reading what I've written that I've been able to pursue writing professionally.
I love writing and can't imagine not being able to do it. I want an easy life and if it had been difficult I wouldn't be doing it. I do admire writers who do it even though it costs them.
It was sort of the pattern to my life - I'd never been strong enough to deal with the things outside my control, to attack the enemies or outrun them. To avoid the pain. Always human and weak, the only thing I'd ever been able to do was keep going. Endure. Survive.
I've always been adventurous - my wife calls me 'the Hip Hop Crocodile Hunter' - if you can survive in the hood, you can survive anywhere.
I havent been doin much comic book writing for the last several years though, as Ive been writing television projects and a novel.
Once a poet always a poet, and even though I haven't written poems for a long time, I can nonetheless say that everything I've ever learned about writing lyrical fiction has been informed by three decades of writing in lines and stanzas. For me the real drama of fiction is almost always the drama of the language.
My writing has always been considered extremely important, even though I make slim-to-no money at it.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
Part of the strength that Charlie and I have as a team is we've been able to keep our priorities straight through our entire partnership. We've been able to maintain a life outside of skating, and though we've given up a lot of things and we've been training really hard our entire lives, we've been able to maintain great social lives.
I've been blessed because every single role I've done has been an educated person. I've never done the stereotypical Latina, even though I have an accent - I've always been able to play educated people. That's a good thing!
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