A Quote by John Musker
I saw 'Sleeping Beauty' when I was, like, 6 years old at the Mercury Theatre. Then, when I came to Disney, I was in the company of these wonderful artists. People like Glen Keane, like Mark Henn, who were brilliant animators who could really bring these things to life.
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Mark Wahlberg, when I was in high school, people were like, 'You look like Marky Mark!' Then as I got older, they were like, 'You look like Donnie Wahlberg.' Now they're like, 'You look like Donnie Wahlberg's cousin from Massachusetts.'
There were times I used to go to parties when I was, you know, like 15-, 16-years-old, and I'd always bring my guitar, and all my friends would be like, sing one of the Smokey songs. And everything I sang was his music, and I could sound just like him.
I had a little radio, and I listened to music in my bedroom when I was supposed to be sleeping. I was probably 6 or 7 years old, and I loved the DJs who would come on and talk about the artists and the songs they were singing, and they gave away prizes. I was like, 'This is a cool job!'
I did spend about 5 years in the Griffin Theatre Company in 1978 actually , and worked therefore about 5 years on a voluntary basis. This was very much as a amateur, doing things like mopping the floor, handling props, setting up scenery, etc. I never acted, and don't think I'm an actor, but those years in the theatre taught me a lot about professional theatre.
When Facebook acquired Oculus, the game changed immediately. You saw big companies jumping in. You saw people like Google getting fully committed, and then Microsoft came along with HoloLens - there was a lot of stuff that people were doing before, but now the space really ignited.
I was like 4 years old when I started playing piano, and I was like 10 years old when I saw a documentary on the Dutch MTV about Tiesto, Armin Van Buuren, and all of the Dutch DJs, and it really inspired me.
In the long-run I think we lost some of our audience because of noise. I don't think people were ready for it, OK? And after we did it nothing really happened, but then 4-5 years later when there was a rap-rock emergence, we were already over it. We could have made Bring the Noise part 2, Bring the Noise part 3 - but like I said we're a METAL band, we didn't want to do that.
When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?'
I loved 'The Secret of NIMH.' When that came out, it felt like, 'Wow, this is something really, really new.' It looked like a Disney film, but it felt very cutting edge to me. To a twelve-year-old kid, it seemed very inspiring.
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As a fan of music, I don't like that artists release one body of music a year and then disappear because it's hard to relate to that. I wanted to be able to bring my fans along on my journey and have them really feel like they're living my life with me.
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A friend of mine had his own theatre company, and he jumped me in like I was in a gang. And once I came in, it was just that simple. For the first time in my life, I felt, 'This is a career, this is a life that I think I can grow old doing.' It was love at first sight. I loved being on stage and reading these plays. It was great.
I think some people had, probably, a time in their life where they were good at two things and they had to make a big decision. For me, it was never like that - I just skied every day of my life and kind of made the right steps in the right direction, and so there wasn't really a choice of like, "What should I do?" I remember when I was like 10 years old, I was just wanting to be in the Olympics and wanting to compete in the World Cup, and there was never another choice in my head.
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