A Quote by John Pfahl

It would have been possible to structure my photographs in such a way that no indicators of the present were discernible. However, I wanted to incorporate into the project as a whole the jostling of time-frames I would feel as I set up my tripod on various rocky promontories.
I wanted to make a film about anorexia. I thought about it for a long time, but then gave up on this idea as I felt that this theme would be so hermetic and closed that it would not reach an audience. However, the plot about the character of Olga and the idea that a body has a lot of different meanings were still present in my mind.
At first, when I did everything myself, I'd set up a tripod, film and then press stop. That's why all my shots are on a tripod and don't move, and that's why my videos are still filmed this way.
The whole time I was hoping my silence would fit yours and exclamation marks would gently float across time and space so that boundaries would be crossed; the whole time I was praying you would read my eyes and understand what I was never able to understand. See, we were never about butterflies. We’ve always been about burning stars. All about us is unearthly and radiant.
I just really wanted to do art, except when I was taking those photographs of people I would make the clothes that I would photograph them in so I could control the whole thing.
I can remember various stages when I wanted to be an artist, a football coach, and a musician but never an actor. However, I'll have to admit that now that I'm in this business I like it and would hate to have to give it up.
If it should turn out that the whole of physical reality can be described by a finite set of equations, I would be disappointed, I would feel that the Creator had been uncharacteristically lacking in imagination.
If life were a movie, physical reality would be the entire DVD: Future and past frames exist just as much as the present one.
I've always been attracted to unusual eyewear. I thought glasses were an interesting accessory, depending on the shape of your face. People would always ask me, "Why are your frames so large?" And I would say, "The bigger to see you!" And that shut them up.
Every photograph could be set up. If one could imagine it, one could set it up. The whole discussion is a way of not talking about photographs.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
I'm known for fashion photographs, but fashion photographs were mostly a joke for me. In 'Vogue,' girls were playing at being duchesses, but they were actually from Flatbush, Brooklyn. They would play duchesses, and I would play Cecil Beaton.
When I got into film school, it really formed a sense of who I am and my sense of feeling like an outsider. If there was some greater purpose to do this, it would be so that future generations - my kids or my sister's kids - would grow up seeing themselves in their media culture in a way that I didn't. If The Mindy Project or Master of None were on when I was growing up, I wonder if I would be interested in doing this at all
During the whole time in Sonic Youth, I was happy to put my energy into that. It would have been very difficult to do a solo project.
If it were possible adequately to present the whole of a culture, stressing every aspect exactly as appears in the culture itself, no single detail would appear bizarre or strange or arbitrary to the reader, but rather the details would all appear natural and reasonable as they do to the natives who have lived all their lives within the culture.
I would set aside all these budget cuts that are going to devastate the F.B.I., the C.I.A., and the N.S.A. Sequestration, cuts, are not only gutting the military, they're gutting the F.B.I. So if I were president, I would set these cuts aside. I would reinstate the N.S.A. program as robust as possible within the constitutional limits.
I wanted to play games in the best way possible, a way that was better than anyone else would have access to. As time went on, it became clear that VR was actually feasible on a large scale at a low cost, and at a quality far beyond what I had been hoping for.
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