A Quote by John R. Rice

No matter what a man's past may have been, his future is spotless. — © John R. Rice
No matter what a man's past may have been, his future is spotless.
The moment we're born they try to make us cry, and sometimes it seems as though they never stop. Most of us go to our grave with our music still inside of us. Never borrow sorrow from tomorrow! No matter what a man's past may have been, his future is spotless.
No matter what your past has been, your future is spotless.
Whatever your past may have been, your future is still spotless.
No matter how dirty your past is, your future is still spotless.
No matter how ruined man and his world may seem to be, and no matter how terrible man's despair may become, as long as he continues to be a man his very humanity continues to tell him that life has a meaning.
There is here, what is not in the old country. In spite of hard, unfamiliar things, there is here - hope. In the old country, a man can be no more than his father, providing he works hard. If his father was a carpenter, he may be a carpenter. He many not be a teacher or a priest. He may rise - but only to his father's state. In the old country, a man is given to the past. Here he belongs to the future. In this land, he may be what he will, if he has the good heart and the way of working honestly at the right things.
I can't deceive myself out of the bare stark realization that no matter how enthusiastic you are, no matter how sure that character is fate, nothing is real, past or future, when you are alone in your room with the clock ticking loudly into the false cheerful brilliance of the electric light. And if you have no past or future which, after all, is all that the present is made of, why then you may as well dispose of the empty shell of present and commit suicide.
The past is of no importance. The present is of no importance. It is with the future that we have to deal. For the past is what man should not have been. The present is what man ought not to be. The future is what artists are.
There can be little doubt that man owes some of his greatest successes in the past to the fact that he has not been able to control social life. His continued advance may well depend on his deliberately refraining from exercising controls which are now in his power.
I know The past and thence I will essay to glean A warning for the future, so that man May profit by his errors, and derive Experience from his folly; For, when the power of imparting joy Is equal to the will, the human soul Requires no other heaven.
The past is of no importance. The present is of no importance. It is with the future that we have to deal. For the past is what man should not have been. The present is what man ought not to be. The future is what artists are. The facts: nothing matters but the facts: worship of the facts leads to everything, to happiness first of all and then to wealth.
The book, the college, the school of art, the institution of any kind, stop with some past utterance of genius. . . . They look backward and not forward. But genius looks forward: the eyes of man are set in his forehead, not in his hindhead: man hopes: genius creates. Whatever talents may be, if the man create not, the pure efflux of the Deity is not his; - cinders and smoke there may be, but not yet flame.
When we think we have been hurt by someone in the past, we build up defenses to protect ourselves from being hurt in the future. So the fearful past causes a fearful future and the past and future become one.
Past has a very great superiority over the future: The future may not exist; but the past existed!
When we think we have been hurt by someone in the past, we build up defenses to protect ourselves from being hurt in the future. So the fearful past causes a fearful future and the past and future become one. We cannot love when we feel fear.... When we release the fearful past and forgive everyone, we will experience total love and oneness with all.
The historian is looked upon as objective when he measures the past by the popular opinions of his own time, as subjective when he does not take these opinions for models. That man is thought best fitted to depict a period of the past, who is not in the least affected by that period. But only he who has a share in building up the future can grasp what the past has been, and only when transformed into a work of art can history arouse or even sustain instincts.
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