A Quote by John Ritter

I am both so beaten up and bolstered up - I've gotten so many criticisms and accolades - that the fulfillment happens on the floor in front of the camera, not when the project comes out.
One of the great advantages of my time spent in movies and in basically every role possible, both in front of the camera and behind the camera, that I've gotten to see all these different ways that people work and the way movies are constructed from the inside out, from beginning to end.
I grew up like every young kid I know, who wants to be a cop and wants to be a firefighter, so this lifestyle that I've chosen happens to offer that in small doses in front of the camera. I want to take advantage of that. Hopefully I can play many, many different occupations.
I am very proud of my husband, both behind the camera and in front of the camera.
Especially as a woman, the jury sums you up immediately and is listening to everything you're saying. You have to be on your game all the time, and that prepares you for being in front of the camera. The difference is, when I am in front of a jury, I am not talking about my emotions and my life.
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
Why don't we actually fight for a woman's right even to complain about being beaten up. That is more important than driving. If a woman is beaten, they are told to go back to their homes - their fathers, husbands, brothers - to be beaten up again and locked up in the house.
There are many times in my life, when I could've thrown in the towel. Many times in my life when I was on the floor. And when you're on the floor, never allow anybody to pick you up. It doesn't matter how long you stay there, make sure you pick yourself up and dust yourself down. Whatever happens, whether you go home today or you don't go home today, that's irrelevant. What's relevant, is you take the knowledge from the experience and you grow as a person.
I don't like getting up in front of people and being the loud one when everybody's out quiet and you're the only one talking. I'm not a fan of that. I'm fine when I get in front of a camera, I don't care. You'll never see me on stage. Not at all.
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
Everybody gets inspired by different things. I grew up wanting to go up the street with a video camera because I liked watching David Letterman yell out of the ninth floor of Rockefeller Center with a megaphone at people on the street. I thought that was a riot.
I think it's probably safe to say that continuing our onscreen relationship in front of the camera is probably not happening. I expect Adam may well pursue things in front of the camera, but I'm most likely not. It's not who I am.
I've never gotten up in front of a Muslim congregation and played the role of a religious leader, and I decline those invitations because that's not what I am.
A photograph records both the thing in front of the camera and the conditions of its making... A photograph is also a document of the state of mind of the photographer. And if you were to extend the idea of the set-up photograph beyond just physically setting up the picture, I would argue that the photographer wills the picture into being.
If a news camera shows up, people will line up, they want to be seen. But at the same time they want both to be chosen and not singled out. I think that is an endless struggle within most.
Someone told me that it's really difficult to have the Cool Ray up. When it happens, you can see every face in the house, all the way up to the third floor.
Michael Moore and I actually have a lot in common. We both appreciate living in a country where there's free expression. But Michael, if you ever show up at my front door with a camera, I'll kill you. I mean it.
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