A Quote by John Schlesinger
No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen.
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The basis of Ronald Reagan was his humanity. I might not have agreed with his politics, but my research - all I read about him and by him - was that he was revered because he had a big heart. He was very religious and sincere. He believed that one spoke truths because, otherwise, people would know you were lying. None of that even applies to Trump.
A lecturer once told me I could never be a director. I was 16. I believed him.
It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.
I know that I have to move from speaking about Jesus to letting him speak within me, from thinking about Jesus to letting him think within me, from acting for and with Jesus to letting him act through me. I know the only way for me to see the world is to see it through his eyes.
He lifted his gaze to the framed photograph of Tanya and him taken on their wedding day. God, she had been lovely. Her smile had come through her eyes straight from her heart. He had known unequivocally that she loved him. He believed to this day that she had died knowing that he loved her. How could she not know? He had dedicated his life to never letting her doubt it.
She asked him the question she had been asking herself for the past few days. "Why are you being so nice to me now?" J.D. leaned forward in his chair. He gazed directly into her eyes, and Payton suddenly found herself wondering why it had taken him eight years to look at her that way. "Because you're letting me," he said softly.
How did it happen that now he could see everything so clearly. Something had given him leave to live in the present. Not once in his entire life had he come to rest in the quiet center of himself but had forever cast himself from some dark past he could not remember to a future that did not exist. Not once had he been present for his life. So his life had passed like a dream. Is it possible for people to miss their lives the way one can miss a plane?
There is a latent talent in everyone. I am nothing extraordinary just because I happen to be an actor. Everybody is extraordinary in his own way. One must identify one's own talent early on - one is not great merely when he gets recognized by others - and one doesn't become a nobody just because his talent is not widely known.
I've always hated the big United Way drive at work. Not because of the United Way. Great organization. Because of the smell of solicitation in the air, and because we are usually in the middle of it.
The thing that you have to understand about those of us in the Black Muslim movement was that all of us believed 100 percent in the divinity of Elijah Muhammad. We believed in him. We actually believed that God, in Detroit by the way, that God had taught him and all of that. I always believed that he believed in himself. And I was shocked when I found out that he himself didn't believe it.
I worked very hard to try and figure out what I thought and I believed that we were going to succeed and that revolutions would happen globally and we would be a part of that and we would have then not capitalism. We would have values based on human lives, not profit. We would actually transform the kinds of ways people built love and built community. It was a very shocking thing to me, out of the end of the 70s and the beginning of the 80s, to realize that that dream - while I still believed in it - was not going to happen in the way that I had hoped.
The unqualified truth is, that when I loved Estella with the love of a man, I loved her simply because I found her irresistible. Once for all; I knew to my sorrow, often and often, if not always, that I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be. Once for all; I love her none the less because I knew it, and it had no more influence in restraining me, than if I had devoutly believed her to be human perfection.
Conte is the manager who most 'bet' on me without even ever having had me in his team. I feel indebted to him because he's the coach that most trusted in me, most wanted me.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
Are you suggesting we pull a little good cop, bad cop scenario on him? And You're even letting me be the bad cop?" He bowed his head. "That, my pretera, is how much I love you." "You have never been sexier than at this very moment." "It is a shame we have so much company," he agreed quietly.
Jack believed in something—he believed in white witches and sleighs pulled by wolves, and in the world the trees obscured. He believed that there were better things in the woods. He believed in palaces of ice and hearts to match. Hazel had, too. Hazel had believed in woodsmen and magic shoes and swanskins and the easy magic of a compass. She had believed that because someone needing saving they were savable. She had believed in these things, but not anymore. And this is why she had to rescue Jack, even though he might not hear what she had to tell him.
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