A Quote by John Schlesinger
I thought his performance was absolutely wonderful and had said so, but he seemed, as actors quite often are when they first see something, to be disappointed. I think he expected more from the film and himself.
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...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!
I think the actors in 'Greystoke' were amazing. They had a really good performance coach called Peter Elliott who's, of his time, one of the greatest simian performance coaches for actors.
[Maigret Sets a Trap] was always going to be the first film, and it seemed to be quite a nice story. But of course it meant that here I was playing this new character for the first time, in a place where he had been a relative failure, as all these people had been murdered and the pressure was on. Rather than starting optimistically with his pipe in front of the fireplace, he was in quite a difficult place.
A really great actor, in a lucky performance, can transform himself or herself. I've seen actors do that. But often it's a mechanical transformation, which isn't as interesting, and you've got to be careful how you go about something like that, I think.
I remember staying up all night waiting to see the first screening of Cape Fear because you knew that every time Robert DeNiro had a performance it was going to be revelatory. Then DeNiro hit this place, he seemed like he was done with the emotional cost of impaling himself like that, and he dedicated himself to comedy.
To have a director that loves his actors is something that you can see in the film and in the fruits of that labor. You can see that translated in the film. When you watch this movie, you can see a director who loves his actors, and it shines through the movie, in my eyes.
Baz [Luhrmann] paid me one of the greatest compliments ever. I don't know him, really, but when I first met him I was congratulating him on ROMEO + JULIET - which I think is a wonderful adaptation - and he said, "Oh, well we couldn't have done it without your RICHARD III, which was an inspiration!" I've never quite checked up on the dates to see whether or if, in fact, we did our film before he did his.
When people talk about first-timers, I always think of Spike Lee. In every film he's made, he has A-listers, but he's always giving roles to first-time actors and breaking careers. He's brought such wonderful actors into the spotlight, and I love that.
Heath Ledger's performance in The Dark Knight quite simply changed the game. He raised the bar not just for actors in superhero films, but young actors everywhere; for me. His performance was dark, anarchic, dizzying, free, and totally, thrillingly, dangerous.
Heath Ledger's performance in 'The Dark Knight' quite simply changed the game. He raised the bar not just for actors in superhero films, but young actors everywhere; for me. His performance was dark, anarchic, dizzying, free, and totally, thrillingly, dangerous.
Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.
A lot of people enjoyed the film 'Haywire' and a lot of people have mixed feelings on it but regardless, a lot of people have said really wonderful things about it being my first experience, that the fighting they absolutely enjoyed. So I think I've gotten a lot more fans, actually.
I think Michael Heizer and Walter De Maria had a love-hate relationship because they both had a lot in common. But inevitably one would get more publicity than another. Of course, Robert Smithson's gotten so much attention through the years. One of the reasons is not only that his work is quite wonderful, but the fact that he was a writer himself.
I was just learning to be by myself. He seemed to really see me, see through the bullshit...He was so handsome, and he could dance. I thought, 'He won't be interested in me; I'm not a contender. He was so cool, so funny - I was such a fan of his and had always fancied his speed and his intelligence. I thought, 'I'm not beautiful enough or his type.'
It meant that Diana had not waited for any explanation, however halting and imperfect, but had condemned him unheard; and this showed a much harder, far less affectionate woman than the Diana he had known or had thought he knew - a mythical person, no doubt created by himself. It had of course been evident from her letter, which made no reference to his; but he had not chosen to see the evidence and now it was absolutely forced upon his sight it made his eyes sting and tingle again. And deprived of his myth he felt extraordinarily lonely.
He found himself remembering how on one summer morning they two had started from New York in search of happiness. They had never expected to find it, perhaps, yet in itself that quest had been happier than anything he expected forevermore. Life, it seemed, must be a setting up of props around one - otherwise it was disaster. There was no rest, no quiet. He had been futile in longing to drift and dream, no one drifted except to maelstroms, no one dreamed, without his dreams becoming fantastic nightmares of indecision and regret.
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