A Quote by John Singleton
There's this guy: his name, Sedik Ali. He's like the African Kurosawa. You know how Kurosawa does stuff from feudal Japan? This guy does the feudal system of Africa.
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I was in Japan, and my assistant director had worked with Kurosawa. I used quite of number of Kurosawa's crew.
Kurosawa is my hero, and I've taught courses on his films, and I love what he does, and 'Rashomon' is, I think, his second greatest film after 'Ikiru.'
Feudalism is an economic system where a few people own all the land and the others have no option but to be serfs on such a feudal estate. We now condemn feudalism. We condemn not merely the feudal lords but we condemn the whole structure of rules that sustained feudalism. I am asking people to think similarly about the world economy.
I had to perform in Dallas at the W Hotel. I was with my best friend, and I had walked on in to the area where I was meeting the crew. Then my best friend came in, and he's like, "This girl at the front desk asked, 'Is his name Quindon? I know him, he's that guy from Romeo + Juliet, I'm one of his big fans.'" I was just like, how does she recognize me from then to now? I was wowed by that because here I am 34, it was 20 years ago, and how does she recognize me?
Liverpool had African players from the '50s and '60s. There were goalkeepers in the early days from South Africa. Then in 1981 there was a guy who came to Anfield. They say 'who is this guy' and it is me; I am African.
The expected vertical line of Ikiru's narrative breaks when Kurosawa does a flash-forward in the middle of the film.
You think of, like, Justin Timberlake. He does a three-hour performance every night, and it's like, wow, I don't know how that guy does it.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
Those are the stakes that are constantly there and how do those stakes change you? How does that change the person you are? If it does just turn out to be about survival then is that living? How does that make you, you? How does that change your identity? That picture of the governor, his wife, and his daughter, he wasn't that guy before this all started. People dying around him changed him into that.
I don't like sports where it's like, you watch a guy on a motorcycle flip or something, then another guy does it, it looks exactly the same, and then at the end one guy gets higher points! It seems so arbitrary; I don't know who's ahead ever.
As far as I'm concerned, this guy should never play football again. The answer you normally get after a tackle like that is 'he is not the type of guy who does that.' It's like a guy who kills one time in his life - it's enough. You have a dead person. This tackle is absolutely horrendous.
With wiseguys, you don't know a guy by his name, only by his nickname. You never asked a guy for his last name.
I've always wanted to see what it would be like to live in feudal Japan; I think that would be interesting.
When a man does not live with his children and does not get along with the mother of his children, his fatherhood becomes essentially untenable, regardless of how he feels, how hard he tries, or whether he is a good guy. Almost by definition, he has become de-fathered.
Why does Mosley always speak as though he were a feudal landlord abusing tenants who are in arrears with their rent ?
I don't know that person anymore, that guy in '86, '87. I don't know that guy no more. I don't have no affinity for that guy no more. I have no affinity for the guy who said, 'I am the greatest fighter God produced.' I have no affinity for the guy who said he would try to push his [opponent's] nose bone up into his brain. I just don't know that guy. I don't know who he is. I don't know where he came from. I don't have no kind of connection with him no more.
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