A Quote by John Tiffany

Even with the success of 'Once,' I can't think about making theater straight for Broadway. Too nerve-racking. — © John Tiffany
Even with the success of 'Once,' I can't think about making theater straight for Broadway. Too nerve-racking.
I did my first Broadway play, 'The Vertical Hour,' in 2006, with Julianne Moore, who's always been one of my favorite actresses. My scene was with her, so it was nerve-racking.
I went on Ellen once, and even then, I was just a bad performer. It was nerve-racking at first playing in front of all her fans who really wanted to see her. Her fans are so young and accepting to new people, and it helped that they knew 'Marvin Gaye,' too.
I play characters who are comfortable naked, but that's something you work up to. I did a play off-Broadway in New York when I was in college. It was full-frontal nudity. It's nerve-racking.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
When they said there was gonna be about 100,000 people at Woodstock, and it went up to 200,000, I just blanked off and thought, 'I don't want to do this.' If they're filming it, it's too nerve-racking.
My very first audition was on the lot of Paramount, and I was put on tape and it was very nerve-racking. I think it was about 15 pages.
When I was on Broadway when I was little, I remember always driving through Times Square with my dad to the theater. Now when I go back, you can't even drive on Broadway in the 40s. New Times Square is too touristy to me.
Filming costs so much money, so it's such a nerve-racking process, whereas being in a studio is quite cheap compared to that, so you have more time to work on things until you feel good about them. That makes it easier to explain a certain feeling and be in a vulnerable place while making sure it does what you want it to do.
I don't love performing, because it's nerve-racking and it's time - consuming to rehearse a whole set - and my time can often be better served writing music and just making it and putting it out.
In terms of theater itself, no story is too strange or method of telling it too impossible these days. In many ways, musical theater has caught up with straight theater in that it's allowed more surreality and breaking of form, and that's really exciting to me - the challenge is getting people to produce those shows.
Auditioning is so nerve-racking.
The first laugh is always key. I've done some improv stuff. Once you get your first laugh, you're good. Up until that point, it's a little nerve-racking.
I think we sublimated our Broadway desires by doing theater in Hollywood - not on stage but by doing the movies of 'Chicago' and 'Hairspray' and also musicals on TV. We did Rodgers and Hammerstein's 'Cinderella' and 'Gypsy' and 'Annie.' Even 'Smash' was like doing theater.
I think the first couple of times you do make-out scenes, you psych yourself out and it's really nerve racking.
If you really want something, it's nerve-racking, but at the same time, I try not to stress myself out about it too much because there are also so many arbitrary things that go into being cast for something - you know, like the color of your eyes, all these things that are kind of out of my control.
Changes in my personal life are nerve-racking for me.
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