A Quote by John Tiffany

I have a personal issue with Shakespeare. When I first encountered him, he made me feel thick. Well, not him, but the productions I saw. — © John Tiffany
I have a personal issue with Shakespeare. When I first encountered him, he made me feel thick. Well, not him, but the productions I saw.
One of the reasons [William] Shakespeare is so endlessly fascinating is that you can look at that figure from about 10 different angles: Caliban in Shakespeare's day was probably viewed as a sort of comic, barbarian type, but into the 19th century there were productions where Caliban was the hero. He's a potential rapist of a minor. Is that a good thing? No, it is not. On the other hand, Prospero's got him cooped up in a cave and tortures him if he doesn't do what Prospero wants. Is that a good thing? No. Shakespeare doesn't let you off easy.
Could I see him acting as Warren Beatty directed, and what would that be like? When you see him as those characters, once you get to know him, there is so much of him in them. In fact, I saw so much of him in them that it made me laugh.
As I watched Bill, waiting with apparent calm for death to come to him, I had a flash of him as I'd known him: the first vampire I'd ever met, the first man I'd ever gone to bed with, the first suitor I'd ever loved. Everything that followed had tainted those memories, but for one moment I saw him clearly, and I loved him again.
When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
The father figure doesn't impress me. I have a very friendly relationship with my father, but that wasn't always the case. My mother had custody, and I only saw him every other weekend. I never knew him well enough for him to inspire me.
I feel like I've known Hunter S. Thompson for most of my life. I first encountered him in 1981, when I was 12.
I saw his scars - the visible ones-and saw how breaking him had not made him any less beautiful. If anything, he stood stronger, because he'd survived.
Well David "Fathead" Newman was my first experience with improvisation. When I saw him play for the first time I realized that there is an importance of spontaneous music being made on the spot. It was so soulful and singing through his horn. So that's how I was inspired early on.
My father was an inspiration to me; I made a few movies with him and I loved working with him. Everything about him - his whole approach to work, as well as his love, enthusiasm and respect for it and other people in the business - was inspiring. I was very lucky to have him as a role model.
Jackson went from the professor's chair to the officer's saddle. He carried with him the very elements of character which made him odious as a teacher; but I never saw him in an arbitrary mood.
It's a very difficult thing losing a parent, but I think there's an added complication for me, because he was so well-loved and he had this very open charm that made people feel they had a personal relationship with him.
Well, at first, I was sure that he would feel the cosmic forces pulling us together. I wanted him so badly, I could feel my heart racing for him with every beat. It was destiny. "He was a magnet and I was steel.
She had the face of an angel I saw mirrors in her eyes We were the same, she and I Both bound by potent lies. In him I saw my future In him I saw my friend In him I saw my destiny Both my beginning and my end.
What made Nelson Mandela great was precisely what made him human. We saw in him what we seek in ourselves.
I put three productions of my youngest brother Jason on my album, on 'Konnichiwa,' and that made me happy, to be able to do that for him.
In him I saw my furture In him I saw my friend In him I saw my destiny Both my beginning and end
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