A Quote by John Tiffany

The Black Watch is one of the most illustrious regiments. They've been at the vanguard of British military operations for 400 years. Something they're very proud of is what they call 'The Golden Thread,' where you can trace a line back from them to the first Black Watch soldiers who were from the Highlands, spoke Gaelic, and wore the kilt.
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.
I did this whole series on the buffalo soldiers-on black soldiers-I did another series on black cowboys, and I presented myself to the gallery system, and all these people with these massive collections didn't know there were black cowboys or black soldiers. I ended up hitting a niche I didn't know was there.
Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.
Of course Black Lives Matter and the killing of young black boys is heartbreaking to all of us. Everyone knows I am a black mother of a black son, so there is no way I could watch what's happening and not be affected.
I got into my very theatrical phase. I wore only black: a big black hat and wild hair and wild black clothes, and I carried a sword stick. I went there still looking like Miss Florida, and I came back looking very different.
Being black has been put in such a negative light. For such a long time, being black has been criminalized, but being black is something that I should be proud of because we have so many black people who have accomplished so many amazing things in the world.
It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.
My dad, who was creative director in the '60s, always wore black jeans with black desert boots; he thought he was cool. He told me to buy a pair as well. I didn't like black, so I got the sand color, and I've been wearing them since college.
Womanists is what black feminists used to call themselves. Very much so. They were not the same thing. And also the relationship with men. Historically, black women have always sheltered their men because they were out there, and they were the ones that were most likely to be killed.
If you think about it, I made history. Not only was I the first black British woman to be nominated for an Oscar, I was the first black British person.
I am astounded at my age with a 20-year-old daughter to discover that kids of her generation don't want to watch black and white movies. I understand that they gave up on silent films, but black and white? So, now movies have to be taught in academia because people don't know how to watch them, they don't know how to appreciate them.
There was a military police brigade with over 3,400 soldiers getting ready to go home because their mission - prisoner-of-war operations - was finished.
I just wear black and gray all the time. If you Google Image me, you'll just see a bunch of black and gray. It's simple. If I like a shirt, I'll buy six or eight of them, wear them back-to-back, and just wait for somebody to say something. 'That's the same shirt you wore yesterday.' 'Yeah, but this one is fresh.'
I grew up watching my Dad, Uncles Ciaran Murray and Brendan Murray, and cousin, Aedin Murray, who were all national caliber Gaelic football players in Ireland. I try to watch as much Gaelic football as I can, it is my first love. I bleed Green, White, and Orange. Gaelic football players don’t get paid to play, you play to represent your county that is more important than earning money.
The other thing that I got back then - the Parker novels have never had much of anything to do with race. There have been a few black characters here and there, but the first batch of books back then, I got a lot of letters from urban black guys in their 20s, 30s, 40s. What were they seeing that they were reacting to? And I think I finally figured it out - at that time, they were guys who felt very excluded from society, that they had been rejected by the greater American world.
I've always been 'other' in all the spaces that I've been in. Even when I first moved to America, just the idea that I was a dark-skinned black girl from England with an accent. It's one thing to be a black girl, but it's another to be a dark black girl. I was chastised for that. I was chastised for the way I spoke.
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