A Quote by John Tiffany

Theatre is a playground. It really is, and we should use that playground more. — © John Tiffany
Theatre is a playground. It really is, and we should use that playground more.
Youth is terrible: it is a stage trod by children in buskins and a variety of costumes mouthing speeches they've memorized and fanatically believe but only half understand. And history is terrible because it so often ends up a playground for the immature; a playground for the young Nero, a playground for the young Bonaparte, a playground for the easily roused mobs of children whose simulated passions and simplistic poses suddenly metamorphose into a catastrophically real reality.
Theatre is really an actor's playground.
Writing is very much a playground - an artistic playground. It's the most fun thing I do.
All I know is when I start getting serious about songwriting... it's like a playground. All responsibilities slip away and you're with your essence. There can be delight there and self-discovery. You can dance there... I think of it as my serious playground.
My playground was the theatre. I'd sit and watch my mother pretend for a living. As a young girl, that's pretty seductive.
You could hear the wind in the leaves, and on that wind traveled the screams of the kids on the playground in the distance, little kids figuring out how to be alive, how to navigate a world that wasn't made for them by navigating a playground that was.
'Our Dream Playground' is a new online project planner designed to help you build the playground of your dreams. It's a free resource, brought to you 'KaBOOM!,' offering step-by-step instructions to help you bring play to the kids in your community.
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I had one job that was kind of cop-like. One summer I did security at a miniature golf course. Just standing out in the sun all day, Hey, hey, excuse me sir. Get your putter out of the whale's ass. Come on, this is a place of miniature business. This is not a playground even though it looks like a playground.
My playground was our company. That's really where I grew up.
To lunch with the important ... that should be the daily goal of those for whom life is not a playground but a ladder.
When I did Nicholas Nickelby originally, that was a co-production between the new Channel 4, Polygram in Europe and Mobil Oil in America, and I have been involved in working on co-productions for years on both sides of the Atlantic and that's very much at the core of what Playground is doing. So marrying, finding projects that can be co-produced and can be produced using the very best talent from both sides of the Atlantic that's absolutely right at the center of what Playground is doing.
New York's a big playground. I have a bike, and I'm really into just being outside. Especially in the summertime.
When I was a kid, I was more interested in beating up boys on the playground than practicing music.
You could hear the wind in the leaves, and on that wind traveled the screams of the kids on the playground in the distance, the little kids figuring out how to be alive, how to navigate a world that was not built for them by navigating a playground that was. . . Who am I to say that these things might not be forever? Who is Pete Van Houten to assert as fact the conjecture that our labor is temporary? All I know of heaven and all I know of death is in this park: an elegant universe in ceaseless motion, teeming with ruined ruins and screaming children.
I've done a lot of very low-budget indie films, so it was just really exciting and fun to be doing a film where there's a lot more time and these huge, vast sets. I was like a kid in a playground. It was amazing!
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