A Quote by John Tiffany
I'm fascinated to see how 'Black Watch' connects with an American audience.
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I'm desperately trying to unplug. The last thing I want is a watch that connects to my phone which connects to my iPad that connects to my computer that airplays to my TV.
I’m not just living in the tradition and culture and the past, I also want to be connected to the future. The Apple Watch connects me to the future. My watch connects me to history, to eternity.
I think people respond to truth. 'Straight Outta Compton' made $60 million over the weekend, right? That's not just a black audience. 'Empire' grew every single week. That's not just a black audience. Black culture is American culture, you know what I mean? They're becoming more and more one in the same.
My job has changed so much over recent years because of social media. You can now watch a programme and see how the audience respond to certain moments and it was overwhelming to see how people responded to 'Big Blue Live'.
Everyone can lock into the rhythm on a tune. It's organic in nature. It connects the band as a whole and connects the band to the audience.
To say Roman Reigns isn't connecting with an audience means you're not listening. I've watched a lot of Roman Reigns, and every single time I see him, I hear noise. He connects very well with our audience.
No, I’m not an American. I’m one of the 22 million black people who are the victims of Americanism. One of the … victims of democracy, nothing but disguised hypocrisy. So, I’m not standing here speaking to you as an American, or a patriot, or a flag-saluter, or a flag-waver - no, not I. I’m speaking as a victim of this American system. And I see America through the eyes of the victim. I don’t see any American dream; I see an American nightmare.
Loving photography and wanting to be a painter, it all ended up in the process of filmmaking. It's strange professionally be to connected because it connects you to architecture, it connects you to painting, it connects you to writers, to actors. It connects you to really all of the arts.
When you sit and watch the film with an audience, the focus groups and the cards and all of that is the less what you're worrying about. When you watch a film with an audience you see what is working and what's not working.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.
I'm watching the show and I'm watching the audience watch the show. Because once you leave the rehearsal room, you have space and you can see it. You can watch them watch it. You can't see your work, really, until you're in the theater. You have no perspective. That's not part of my job, to go, "Oh my God, they're so brilliant." I'm not required to swoon.
I have always been fascinated by the way music can completely change the way you watch film - and how you feel as you watch the images.
I know 'Dabangg' has some pre-requisites. Every film has some requisites that you have to fulfill. I sat down with my writer and discussed what as an audience I want to see in the second part of the film. We worked towards that and we hope what we thought connects with the audience.
There is a problem in America. An Irish or Polish American can write a story and it's an American story. When a Black American writes a story, it's called a Black story. I take exception to that. Every artist has articulated to his own experience. The problem is that some people do not see Blacks as Americans.
Kindness connects to who you are, while niceness connects to how you want to be seen.
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