A Quote by John Waters
Technique is nothing more than failed style.
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There is nothing fiercer than a failed artist. The energy remains, but, having no outlet, it implodes in a great black fart of rage which smokes up all the inner windows of the soul. Horrible as successful artists often are, there is nothing crueler or more vain than a failed artist.
My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.
There are some singers that have great technique and then there are those that have a certain quality or style in their voice. Some have both, like Freddie Mercury, but to me, I prefer style over technique.
Nothing is more horrible than my self in the mirror of hysteria. Nothing is more vulgar than my style in the hands of another. Toimitate me is to punish me.
I failed the LSAT. Basically, if I had not failed, I'd have been a lawyer and there would be no Spanx. I think failure is nothing more than life's way of nudging you that you are off course. My attitude to failure is not attached to outcome, but in not trying. It is liberating.
When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
To be interested solely in technique would be a very superficial thing to me. If I have an emotion, before I die, that's deeper than any emotion that I've ever had, then I will paint a more powerful picture that will have nothing to do with just technique, but will go beyond it.
I've never had a method of working. I change according to circumstances; I don't employ any particular technique or style. I make films instinctively, more with my belly than with my brain.
Style: There is something in too much verbal felicity (as in Joyce or Nabokov or Borges) that can betray the writer into technique for the sake of technique.
More times than not, it's a failed endeavor. You will fail more times than you succeed. But I think you need those failed endeavors.
Le style, pour l'e crivain aussi bien que pour le peintre, est une question non de technique mais de vision. For the writer as well as for the painter, style is not a question of technique, but of vision.
Nothing is more humiliating than to see idiots succeed in enterprises we have failed in.
Totalitarianism extends to whatever touches it...psychological technique, as it operates in the army or in a great industrial plant, entails a direct action on the family. It involves a psychological adaptation of family life to military or industrial methods, supervision of family life, and training family life for military or industrial service. Technique can leave nothing untouched in a civilization. Everything is its concern. Technique, which is destroying all other civilizations, is more than a simple mechanism: it's a whole civilization in itself.
I failed eating, failed drinking, failed not cutting myself into shreds. Failed friendship. Failed sisterhood and daughterhood. Failed mirrors and scales and phone calls. Good thing I'm stable.
You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
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