A Quote by John Waters
People who want to act rich when they're upper-middle class. They try too hard.
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If you were a successful upper-middle-class Negro girl in the 1950s and '60s, you were, in practice and imagination, a white Protestant upper middle-class girl. Young, good-looking white women were the most desirable creatures in the world. It was hard not to want to imitate them; it was highly toxic, too, as we would learn.
The upper class desire to remain so, the middle class wish to overthrow the upper class, and the lower class want a classless system.
I think the working-class part of me comes out. Sometimes the people who have the loudest mouths are upper-class, upper-middle-class. The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.
The American middle class always wants to be upper class and is scared to death of being lower class. It's a highly mobile group of people. They're not like the people that want to be shopkeepers forever, have always been shopkeepers and want always to be shopkeepers. These people mostly are insulted by being called middle class.
Stuff Happens.’ That’s the G-rated version. That’s a bumper sticker that only a straight white upper middle class male could have made. Because anyone who isn’t straight, anyone who isn’t male, anyone who isn’t white, anyone who isn’t upper middle class knows that stuff doesn’t just happen. Stuff gets done by people to people. Nothing is a coincidence. Nothing is random. This isn’t osmosis. And so we act as if it’s this passive thing, but yet that’s not the case.
It's strange because we think of the upper middle class, for example, as being secular, that they've fallen away from religion. Well, it turns out that the upper middle class goes to church more often and feels a much stronger affiliation with their religion than the white working class.
There are three social classes in America: upper middle class, middle class, and lower middle class.
Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.
I grew up in a working class neighborhood in Sweden, which, during my teens, gentrified and is now completely middle class and even upper middle class.
Eccentricity is usually owned by middle-class and upper-class people. If you are working class and eccentric, then you're just mad.
The government decides to try to increase the middle class by subsidizing things that middle class people have: If middle-class people go to college and own homes, then surely if more people go to college and own homes, we’ll have more middle-class people. But homeownership and college aren’t causes of middle-class status, they’re markers for possessing the kinds of traits — self-discipline, the ability to defer gratification, etc. — that let you enter, and stay, in the middle class. Subsidizing the markers doesn’t produce the traits; if anything, it undermines them.
With a few notable exceptions, literary fiction in the U.K. is dominated by an upper and upper middle-class clique who usually have a tin ear for the demotic and who portray working-class characters with, at best, a benevolent condescension.
One side of me is very busy paying attention to the details of life, the humanity of people, catching the street voices, the middle-class, upper-middle-class secret lives of Turks. The other side is interested in history and class and gender, trying to get all of society in a very realistic way.
The sprinkling of people of color through elite institutions in the United States, due to affirmative action policies and the limited progress of middle-class and upper-middle-class African Americans, creates the illusion of great progress.
Rich people believe "You can have your cake and eat it too." Middle-class people believe "Cake is too rich, so I'll only have a little piece." Poor people don't believe they deserve cake, so they order a doughnut, focus on the hole, and wonder why they have "nothing."
The working classes in England were always sentimental, and the Irish and Scots and Welsh. The upper-class English are the stiff-upper-lipped ones. And the middle class. They're the ones who are crippled emotionally because they can't move up, and they're desperate not to move down.
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