A Quote by John Waters

The worst thing you can do is make a cult movie. That means you got three great reviews and nobody went. An art film means it got a lot of good reviews and nobody went. There is no such thing as a counter culture now. What used to be considered that is commercial now.
I've never had a movie that got great reviews. I've had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.
Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.
I've started doing book reviews for Barnes & Noble! They saw that I did a lot of book reviews on the site, and they figured that it might not be a bad thing if they got me to do some for them as well. I gave them five categories I'd be interested in reviewing, from art to fiction to music.
On the first movie we got good reviews, but we were still dealing with genre stuff. It's going away. Judge the movie - is it a good one or a bad one? We know we made a great movie and it's being judged for just being a good film.
When a film is reviled, you open a film and people say "Oh, it's the stupidest thing, it's the worst movie." You think: oh, nobody's going to ever speak to you again. But, it doesn't happen. Nobody cares. You know, they read it and they say "Oh, they hated your film." You care, at the time. But they don't. Nobody else cares.
I don't pay much attention to the press. My films always get good reviews and bad reviews. I just try to make the best film I can.
The greatest thing is the internet and that means that anybody, you have just as much access as I do. And you can make your little tape and work on it and work on it until you got it the way you want it. And then you can put it on the net. And if it's any damn good somebody's gonna notice. That's happened over and over again now. To me that's good. That's good access that isn't controlled by the companies. I think that's a great thing.
I used to get great press. I get the worst press. I get such dishonest reporting with the media. I've never had anything like it before. It happened during the primaries, and I said, you know, when I won, I said, "Well the one thing good is now I'll get good press." And it got worse. So that was one thing that a little bit of a surprise to me. I thought the press would become better, and it actually, in my opinion, got more nasty.
The funny thing is that some reviews are published in magazines and websites that are seen by millions of people, and other reviews are in very small publications or less popular websites, and you just have to be lucky to have the good reviews land in places where more people see them, and bad reviews land in places where they will be less seen.
Everybody's got skeletons in the closets. Every once in a while, you've got to open up the closet and the let the skeletons breathe. Half the time, the very thing you think is gonna destroy you or ruin you is the very thing that nobody cares about. My advice to people with skeletons is to dust them off every now and then-- as long as your closet's aint full of them. It's not good to have more than two or three.
asically, we got to know other and openly trade stories, and had some time to prep. As far as the 'going too far' thing, the great thing about film art is that you can go too far, and with multiple takes nobody has to see it.
You have to deal with rejection at every stage, whether you audition for the part and don't get it, you get the part and it gets terrible reviews, or it gets great reviews but then nobody sees it.
A funny thing about film is that it's the only medium where people say there are really rules that you have to stick to. Nobody says to the writer - in a film you've got to have three acts - there's a character arc you have to do - there's no reason that's true.
I used to read reviews - I read a lot of the reviews when I did 'Borgen,' but the thing is, people were so harsh that I talked to my wife about it, and I said this is too tough - the people are too personal and too idiotic to understand it, in my mind.
I've seen many shows ruined by bad reviews and good reviews, so I always tell my actors not to read the reviews until after the run is over.
I directed 'Death in the Gunj' which released in 2017. It got very good reviews and a few awards but did not do well at the box-office. But I'm not bothered. I made the film that I wanted to make. It was not a film for everyone.
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