A Quote by John Waters

If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk.
If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do ; try to be shocking and dirty.
It isn't enough to shock. It's easy to shock. Real surprise is what I'm after.
We never really tried to shock for shock's sake on 'Family Guy'. If something was horribly offensive and shocking, we would put it in if it was also hysterically funny.
We never really tried to shock for shock's sake on 'Family Guy.' If something was horribly offensive and shocking we would put it in if it was also hysterically funny.
Many hundred-million-dollar Hollywood comedies aren't any good. They're trying to shock you.
I don't like the phrase shock value. Surprise is essential in comedy, and if people are shocked by what I consider merely surprising, then that's their shock. But there is no joke without surprise.
I always expect there to be a new counter-culture coming up, something that would make punk look as ridiculous as punk made the hippies look.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
In the early 1990s, there was a debate among economists over shock therapy versus a gradualism strategy for Russia. The people in Russia who believed in shock therapy were Bolsheviks a few people at the top that rammed it down everybody's throat. They viewed the democratic process as a real impediment to reform.
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
I use the [vulgar] words because apparently these words do not corrupt morally. I'm from the street in New York, hung around in a tough neighborhood. It was common to curse, you make your point. It's a very effective language. I try not to overdo it. It's never to shock. I know where it fits, it's never to shock. There's no shock value left in words.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It's impossible trying to act it; it just happens. It's a very important question: no acting.
The reason why I am proud of my part in the punk movement is that I think it really did implant a message that was already there. The hippies told it to me, but punk made it something cool for people to stand up for, which is that we do not believe government, that we are against government.
Just as the body goes into shock after a physical trauma, so does the human psyche go into shock after the impact of a major loss.
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