A Quote by John Waters

People always ask me what I'm doing on the subway, but I love it! Sometimes I like to ride in the front car and look out the window at the rats. — © John Waters
People always ask me what I'm doing on the subway, but I love it! Sometimes I like to ride in the front car and look out the window at the rats.
But most of all, I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they are going. Sometimes I even go to Fun parks and ride in the jet cars when they race on the edge of town at midnight and the police don't care as long as they're insured. As long as everyone has ten thousand insurance everyone's happy. Sometimes I sneak around and listen in subways. Or I listen at soda fountains, and do you know what? People don't talk about anything.
I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they're going.
I have to pay a huge price to express myself. You get people asking to take photos all the time; you can't ride the subway... I still ride the subway, but there's always people sneaking photos or coming up to you.
I love doing all of my own stunts. Anything. Even if they are telling me, 'No, no, no! You can't do that!' I'll do it. Like crashing my car through the gate, climbing up the building, kicking in a window... I love doing all of that stuff.
I love getting on the subway because you get on the car, and you see the entire human race represented in any given subway car.
Curran gave me a flat look. "I can always drive to a burger joint instead." "Oh, so you'd throw a burger down my throat and expect making out in the back seat?" He grinned. "We can do it in the front seat instead, if you prefer. Or on the hood of the car." "I'm not doing it on the hood of the car." "Is that a dare?" Why me?
Of course, in Los Angeles, everything is based on driving, even the killings. In New York, most people don't have cars, so if you want to kill a person, you have to take the subway to their house. And sometimes on the way, the train is delayed and you get impatient, so you have to kill someone on the subway. That's why there are so many subway murders; no one has a car.
Picture a tall, dark figure, surrounded by cornfields... NO, YOU CAN'T RIDE A CAT. WHO EVER HEARD OF THE DEATH OF RATS RIDING A CAT? THE DEATH OF RATS WOULD RIDE SOME KIND OF DOG. Picture more fields, a great horizon-spanning network of fields, rolling in gentle waves... DON'T ASK ME I DON'T KNOW. SOME KIND OF TERRIER, MAYBE. ...fields of corn, alive, whispering in the breeze... RIGHT, AND THE DEATH OF FLEAS CAN RIDE IT TOO. THAT WAY YOU KILL TWO BIRDS WITH ONE STONE. ...awaiting the clockwork of the seasons. METAPHORICALLY.
I'm really bad at doing my hair, so the front always looks a little bit off. I think that the front is the most important in terms of the whole look. So, because the front layers just get awkward sometimes, I feel like I have to clip them back.
Let me ask you. If someone called you and offered you a ride in the Indianapolis 500 and you were a male race car driver, would you turn the ride down?
I've always wanted a normal life, and this is what I got. Being an actress wasn't a plan at all, so what's happened to me is very strange. Life isn't very normal, even though I'm still very much a normal girl. I ride the subway, I ride the bus, and all of that. It's the people around me that have changed. I love when I go to a restaurant and I walk past, and everyone waves. That's always really funny. It's strange. It just goes to show that whatever plan you have for your life, you are wrong, a lot of times.
I feel like an outsider sometimes. Sometimes being more public makes me feel uncomfortable. I'll have people asking me for autographs in Thailand and I'll ask if they've seen my films and they'll say, "No, but I know who you are and I like the way you look - I like the skinhead look."
Place is so important to me. The Midwest is like a ghost in my life. It's present as I look out the window now. I see Texas, but if I close my eyes and look out the same window, I'm back in my hometown in Worthington, Minnesota, and I cherish those values and that diction.
When I ride the subway back and forth, sometimes I look at the other passengers and wonder if any of them are children who have been adopted or parents who have adopted.
I remember when my daughter was twelve, suddenly a boy started hanging out in front of our house after school. It was this kid, Justin. My office at the time was right in the front, so I just looked out the window. I couldn't write. I couldn't concentrate. I was like, "What are you doing? What do you expect to achieve by standing in front of my house with my daughter inside?" I hated that kid so much.
I'd sometimes go to Paris by myself - it was an easy two-hour train ride - to get a break from the everyday grind, to walk around a big city, ride a subway, feel the energy of a world capital.
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