A Quote by John Waters
When I started making movies about weird people, I knew they were weird, I was infected with irony, and I wanted New York to notice.
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I never imagined people like Thanos and Warlock would be drawn into films. They're weird characters in weird stories. Luckily, the twisted kids who read those weird stories are now the twisted adults who are making movies.
I used to think that anyone doing anything weird was weird. I suddenly realized that anyone doing anything weird wasn't weird at all and it was the people saying they were weird that were weird.
Weird stuff, for me, is not that weird. I guess if it were other people, they'd think it was weird. I eat nutritional yeast. And sometimes I take clay shots to help pull toxins out of my body. I eat weird L.A. food, so I guess that's probably weird in other people's eyes.
If people are talking about you, that's great. You start making more money, that's great. You get to go to weird places, that's great. The music industry is weird, especially with the Internet. People are calling you all kinds of weird stuff, like 'jangly.'
Movies are weird; it's like trying to make a painting with one hundred people. It's a weird world, but every job is weird; it's always a little bit hard, crazy and fun, a nice combination.
I came to New York, and it was a really cool time. People like Jim Jarmusch and Spike Lee were making their first movies, and they were making movies that were personal narratives.
You can be really weird, and people will still accept you if you're in movies. I'm not actually weird, but if I feel like being weird, then I can do it, and they accept it because you're an actor.
Then we started looking at story and what was making sense and what wasn't making sense, emotionally and thematically the intention that we had a year earlier when they were working on the script, did all that come across? It's all kind of generic things, but it's fascinating and it's weird - I haven't made that many films, but it's weird that every time you think you learn from your mistakes on your last film you have a slew of new mistakes and things that you learn.
I grew up always wanting to be a dancer, and when I went to New York, I fell in love with the idea of performing in all ways. I saw myself traveling with a company or making my own work and being a little weird. I wasn't thinking about the business side of anything; I just knew that I loved dancing.
I used to think anyone doing anything weird was weird. Now I know that it is the people that call others weird that are weird.
Honestly, people told me to. It was weird, I graduated from school, I never thought I'd live in L.A. and I always wanted to be to New York. I assumed that would be my trajectory - that romantic ideal of moving there and doing plays Off-Broadway and being scrappy about it. Then we did a showcase in New York and a showcase in L.A., and for whatever reason the response that I generated in L.A. was significantly more enthusiastic.
Sometimes I get gigs in weird, artsy places because weird, artsy people embraced my public-access show, which I could only have done in the way I did in New York.
I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
I was an average student. I wasn't any standout. I remember when people started to know who I was and the label offers, people started to get a little weird and be weird around me.
Very much as men project weird fantasies on women, the people in New York project weird fantasies on California.
I feel like I'm in a weird state, and I wake up in Hollywood, and I've got a couple of studio movies underneath my belt, and I take these meetings with people. Sometimes it's this great, weird sense of oddness that comes at you, because I've never really stopped thinking the way that I started thinking.
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