A Quote by John Waters

Underground, raw movies that come out of nowhere and change everything - they aren't slick-looking. But I have nothing against slick-looking as long as the scripts are funny.
I was temping at Harrods. I'd wake from the double bed I shared with my best friend, leave the house in a slick-looking trench coat and polished brogues without a hair out of place. I was complimented for looking so presentable.
'CSI' was an amazing experience, which, looking back, I was very lucky to get. They shoot an entire episode in eight days, so everything has to be totally slick and professional.
If you're looking for a slick politician or a guy with great teleprompter skills, we already have that. He's destroying our economy. I'm a doer, not a talker.
How about that oil slick in the Gulf of Mexico. And you know, the oil slick is going everywhere. So the next time somebody lands on the Hudson, it won't be that big a deal.
Scripts can be slick and structured, but do they always contain the truth?
When did they start coming after you?” “Was it—was it after the oil- slick Hummer crash?” the Gasman asked Iggy tentatively. My eyes widened. Oil-slick Hummer crash? Iggy rubbed his chin, thinking. “Or maybe it was more---after the bomb,” the Gasman said in a low voice, looking down. “I think it was the bomb,” Iggy agreed. “That definitely seemed to tick them off.” “Bomb?” I asked incredulously.
(on grief) And you do come out of it, that’s true. After a year, after five. But you don’t come out of it like a train coming out of a tunnel, bursting through the downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
We've just been nostalgic about old-school hip hop, listening to it at home and looking at people like Slick Rick and all those guys who used to wear huge jewellery.
When you come to the Bay, we always had this slick talk. E-40 made it real famous. We make up words. We talk real funny. When you hang around a bunch of Bay cats, you're like, 'You guys are funny.' But that's our way.
"I guess I've been waiting so long I'm looking for perfection. That makes it tough." "Waiting for perfect love?" "No, even I know better than that. I'm looking for selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for."
As long as I kept moving, my grief streamed out behind me like a swimmer's long hair in water. I knew the weight was there but it didn't touch me. Only when I stopped did the slick, dark stuff of it come floating around my face, catching my arms and throat till I began to drown. So I just didn't stop.
Sean's movies are provocative and challenging without being slick.
I think film had a terrible effect on horror fiction particularly in the 80s, with certain writers turning out stuff as slick and cliched as Hollywood movies.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
I tend to find that movies have become so slick that I have trouble identifying with the characters.
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