A Quote by John Woo

When I was a kid I feel lonely, I have not many friends. If you make a movie, then you can work with different kinds of people and make different kinds of friend. That's very important to me.
I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.
What is more important today for the audience is to have different kinds of content. They like variety, they like different kinds of stories, different kinds of entertainment.
In doses, like most people, I like all different kinds of movies. I like any movie that can take me somewhere and make me feel something. Horror movies, if they're done well, they make you feel nasty or scared or relieved.
Now, the term 'friend' is a little loose. People mock the 'friending' on social media, and say, 'Gosh, no one could have 300 friends!' Well, there are all kinds of friends. Those kinds of 'friends,' and work friends, and childhood friends, and dear friends, and neighborhood friends, and we-walk-our-dogs-at-the-same-time friends, etc.
I was able to make many different kinds of movies. They enriched me on many different levels.
There are different kinds of concentration required to make a painting, different kinds of being present.
I don't feel that way now. I don't want to make movies for the 10 people who feel exactly the same way about the world that I do. I want to make movies that many, many people see, and I want to say something that I believe is important in a way that people who don't agree with me can hear. And that involves making different kinds of choices, but it's not like a compromise that I'm making. It's that something else interests me, something else is appealing to me.
Everyday something new pops into my mind: I could do this next or I could do that next. I want to grow more and more and show people different sides of myself, whether it's different kinds of music, different kinds of movies, or different kinds of television.
I now realize that I was very fortunate to have grown up in many different places, surrounded by all kinds of people, all kinds of points of view.
If you look at 'Coraline' and you look at 'ParaNorman' certainly you can tell that there are threads of the same DNA between those two movies, but they're two very different kinds of movies. They look different, they feel different, they are very different kinds of movies.
I feel like there's different kinds of evil and there's different kinds of villains, and as much as I would like to be dark and playing with knives... it's not me and it's not my look.
I think for acting on stage and in film, one informs the other. Obviously, they require really different kinds of discipline and really different kinds of work. It's more along the same continuum, for me.
But once we realize that people have very different kinds of minds, different kinds of strengths -- some people are good in thinking spatially, some in thinking language, others are very logical, other people need to be hands on and explore actively and try things out -- then education, which treats everybody the same way, is actually the most unfair education.
This is a really big space station. We do a lot of various kinds of work here, different kinds of science experiments; we have over 400 different experiments going on at any one time in different areas, from basic science research to medical technology, that hopefully will benefit more people on Earth.
I don't think of the 'indie film world' as this cohesive kind of world anyhow. It's so disparate: all these different filmmakers seeking financing from many different sources to make different kinds of movies. It's hard to pinpoint a trend, really.
There's book smart, there is street smart, there's relationship smart, there's too many different kinds of smarts to know all of them. Everybody doesn't know every kind of smart. There's money smart, there's movie smart, there's computer smart. There's just too many different kinds of smarts for people to know all the smarts.
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