Everybody has a stunt except me. Every single person has a stunt, but I don't have a stunt, there's nothing. No wire, no pulling. I try to get in on the danger, but there's nothing.
It never occurred to me that being a stunt girl would get me recognized in any way, because the whole purpose of a stunt person is to not be known.
My boy, that was a TV show. I used a stunt double. I always use a stunt double. Except in love scenes. I insist on doing those myself.
Having been a stunt girl for so long, a big part of my job, when being a stunt double, was to not just make the other person look as cool as they could, but also to act as support.
It's better to find a stunt person who can act. It's easier to do that than to find an actor who can do a stunt.
The thing about being on a long-running series is that you get to know all the stunt men and the stunt coordinators, and they let you pretty much do everything you want, as long as they trust you.
I love the physical roles. I have the utmost respect for stunt people and stunt doubles, but I like to do as much as I possibly can with what's become some pretty significant training.
I once said that CGI makes you less inventive. At the time I was bemoaning the loss of the practical stunt. If a stunt can be done practically and safely, I'd rather do it old-style.
I'm an athlete; I've got an ego when stunt doubles have to come in. Not an ego like that, but when it comes to physical stuff, if I didn't have to have a stunt double, I would always probably do it myself unless the producers were jumping in and stopping me.
I have a stunt double. His name is Glen Levy, and he has the hardest punch in the world. Seriously - it's actually been recorded by National Geographic. He calls it the Hammer Fist. And he's my stunt double! He makes me look awesome.
I have talked to stunt drivers all my life, 32 years of talking to stunt drivers. There's a craziness to them.
Repetition on things like that becomes quite painful. If you do a stunt sometimes it can look like a stunt.
I will do anything, and I do almost everything myself. But when there is something extra heinous to do, I have a great stunt double, Eddie Davenport, and a great stunt coordinator, Jeff Wolfe.
I took a whole stunt course and pretty much got certified as a stunt driver. It's ridiculous how easy it is once you understand the car and know how to do it.
The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you're exposed to all the disciplines, so it's always fun to combine the two ideas - a car chase and a fight scene - and make something more dynamic.
An actor would be foolish to do something that might hold up the picture, or more importantly incapacitate him. If an actor does do a stunt he needs to make sure a stunt man stands by to see that it's done correctly.
You do your own stunts as an actor, and you end up getting hurt. It's not your job. You've got stunt guys. Stunt guys make a lot of money.