A Quote by Jon Gordon

I got to talk to people like Mel [Lewis] and Milt Hilton and Benny Carter and Clark Terry and... Jay McShann. I just found myself in some circumstances, on some gigs or sometimes in clubs, with the ability to talk to some of these people. Just being around their energy and being around that history was invaluable. And what I normally say to young people that are getting into the music, if you can and go... now there's less of those folks around, sadly.
A lot of people change for good. Some people just fall off. Just trying to progress in anything, no matter what you're doing, I feel like any progression you make... some people aren't gonna be around you that were around you.
If I'm not working, I really have nothing to do with it - I'm not hanging out and mixing with film people. Not that I have anything against film people; they're some of the best people around and some of the worst people around, just like in any business... they just gesticulate a little bit more.
I was lucky to have been there with some great people. I think I learned the most from the people around me. Just when you get talented people there, like the people who you talk to. And it spurs you on.
I might sound like a crazy person, but that's the way I pump myself up. You know how some people are just like 'I have to talk about it'? Sometimes I'll call my husband and we'll talk about it, sometimes I have to talk to myself in the mirror. So I start talking to myself: 'You got this. Don't think of this as Sports Illustrated, just think about this as the best swimsuit campaign you've done in your life. And just kill it and own it and don't put that pressure on yourself.'
I'm just a very creative and outgoing person and I love being around people and being around music. It just gives me energy.
Jay [Duplass] and I normally just sit around and people watch, and we talk about things that are happening in our lives, or with people that we've met. That's the soup from which our movies usually come from.
I just hated being around attention and stuff. In the clubhouse, I hated being around that. I didn't like anything to do with being around people, for the most part. I mean, I could be around them, just not in a talking situation, and that would make it even worse.
I've always stood for my people, with my people, but some guys just don't have voices like that. I don't like the pressure some people put on others. Some people are just not built for it. Some guys just play basketball, they don't talk, they don't post. Everybody in the '60s wasn't in the civil rights movement.
I went to Catholic school my entire life. Elementary school was probably my worst time - those are the years when you're figurin' out who you are, and then you've got the added pressure of being on the light-skinned side of things. I've been around - excuse me saying - predominantly white people in Catholic school, who sit around and just talk about black people because they thought they were in the presence of themselves, and they used to talk cool. I felt firsthand the racial prejudice that is still alive today.
What I feel the most confident about as a teacher, whatever my strengths and weaknesses are. The fact that I got to be around those people, I feel like that I have something to offer because of that blessing. Being around them a little bit... I'm not them. I'm certainly not trying to compare myself to them. But in lieu of them being able to impart something, the fact that I had so many people like that that were kind to me and talked to me was invaluable.
Those type of people [in New Orleans] keep me happy and just smiling, you know? I just go hang out and talk with them and they tell me all types of old stories, and sometimes I might even pull my horn out in the middle of the block, and they're playing on beer bottles and different things, and we just do a little second line type thing, just us, four or five people, who are just having fun. That makes me day to be able to do that and go hang out with the people in the (Treme) neighborhood, and to do some shows around town, you know?
I always imagined myself somehow as an electron around some atom, and you're just, like, bouncing around and spinning. There was a never-ending supply of places to go, people to see, things to do, and fitting it all in became kind of an art.
Don't be a rock star. I've seen people around me have their lives destroyed by drugs. It just depends on what kind of person you are. Like, some people have a "go" button and a "stop" button, and some people just have the "go" button, meaning that they take drugs and just take more, and more, and more. It could be 6 in the morning and they'll say, "Okay, I have to get more now." I'm not that kind of person.
In the game, you've got some people who've got money, but their music is kind of off, their music is garbage. Then, you have people with good music, but they ain't got the biggest part: They ain't got the funds. But me, I'm just all the way around the board.
People think it's not necessary to talk to another human being, and that's the part of it that I don't like. Some people will go up and want to talk to you about the music, which is cool; they're enthusiastic about the songs and know stuff about it, or, 'I really like your music. Nice to meet you.'
I got to talk to Mel Lewis a lot as a teenager. I think that's what really impacted me the most around that time.
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