A Quote by Jon M. Chu

Each dancer has a different dialect that they speak. — © Jon M. Chu
Each dancer has a different dialect that they speak.
Was there a language of loss? Did everyone who suffered speak a different dialect?
All nationalistic distinctions - all claims to be better than somebody else because you have a different-shaped skull or speak a different dialect - are entirely spurious, but they are important so long as people believe in them.
I had a really fantastic dialect coach that I worked very well with, and I was constantly surprised by the different intonations that the Russian dialect has.
We had to speak in a different dialect for '1666.' And when we were told that we would need to do that, I think that was the most daunting part of traveling back 300 years.
If you are playing a Hispanic character who has to speak in dialect or in an accent, nail that dialect or accent. When I hear a character that's supposed to be Cuban speaking with a Mexican accent or vice versa, it grates on me and immediately pulls me out of the story.
Solo dancing does not exist: the dancer dances with the floor: add another dancer and you have a quartet: each dance with the other and each with the floor.
'Particularly' is particularly difficult because the 'L' and the 'R' are totally different, like totally different letters. I would spend hours in front of the mirror with my dialect coach to observe my tongue. You don't think, when you speak, about all the things that happen in your jaw and your mouth, how everything reacts, so you have to watch all those things and realise we have a totally different use of our tongue and jaws.
How can we speak about "drugs"? It is like speaking about the human race - each person is different, each drug is different!
My husband and I speak an ancient language called grammatical English, and the kids speak a strange dialect which is difficult to decode because it is based on only four phrases: 'Huh,' 'I dunno,' 'It's not my turn,' and 'I do everything around here!
Black English is something which - it's a natural system in itself. And even though it is a dialect of English, it can be very difficult for people who don't speak it, or who haven't been raised in it, to understand when it's running by quickly, spoken in particular by young men colloquially to each other. So that really is an issue.
I speak a little bit of Italian, yeah. I understand more than I speak. I speak more of a dialect; my mum's from Naples and my dad's from Sicily, so it comes out little a bit of a cocktail of the Italian language.
Each environment is different, each job is different, and each realm of creativity that they give you is different. You try to do the best you can and put as much time into it as you can, but different jobs have different circumstances come about.
I was a dancer for many years. I was a premier dancer with 'Porgy and Bess,' the opera. And I taught dance some, in different places.
This journey from non-dancer to dancer has given me a lot of self-confidence and inner strength. I feel like a different person.
I know how a Manipuri is different from a Mizo or someone from Shillong. It's culturally very different... the food is also very different, and so is the language and dialect.
When using dialect, use it lightly. A dialect word here and there is enough. All you want to do is suggest. Never let it call attention to itself.
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