A Quote by Jon Stewart

At first the difference will be in whatever atmosphere I bring into it. It's not going to be like, 'I really want to do The Daily Show and I'd love to turn it into an abstract musical.' I like the format and the chance to satirize the news.
To me the sort of like, the ethos, if you will, of like tabloid is like Daily News in the 1970s. It's a news organization that thinks of its mission to speak directly to people who are kind of , the people who are sort of the foundation of the American workforce or were at one time. What I love about this conception of the tabloid is that actually everybody read it.
We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
I would love to do a musical. I would love that. I would have to find the right book, the right story, but some day I'm going to make one. I would really like to go off and direct a musical. That's what I would really like to do when I grow up.
Nobody was like, 'Kimberly, we're going to let you anchor general news or host a show or do any of that.' I at first started out doing legal analysis, but I had to make the case to my bosses... give me a shot, give me a chance, and I was able to do that: say, 'Let me fill in. Let me show you my range. Nothing to lose here - it's the holidays.'
I have not seen the Hindi version or the first season of 'Big Boss Telugu.' I will bring my own style to the show, using my understanding of how the format works.
What I love about podcasting is it's guerilla radio. I don't have to stick to anybody's protocol or format. I can operate my show just like I want to, but at the end of the day, it's just a can of audio whoopa**. My show is built to entertain.
I would love the opportunity to create my own program. I feel like a TV show with a format of monologue with lots of sketches thrown in could be really fun. But you know, that may never happen. Minimally, I just want to keep making stand-up.
So many people have told me that 'Wicked' is their first musical ever and that they're hooked for life. I'm like, 'Wow, you really got it right when you picked this show to be your first one.'
An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I'm saying?
There's no job like 'SNL.' There's no other job you go to where you're like, 'Oh, this is like that live, late-night sketch variety-musical show that shoots in, whatever it is, 10,000 feet of sound stage.' There's nothing like it.
This is a new phase in my life. I just want people to give the show ["This Is Mike Stud"] and myself a real chance. I'm pretty self aware and know what people are going to think this show is going to be like.
When I'm on stage, and when I'm comfortable or uncomfortable, I have sort of a knee-jerk reaction to try to make people laugh. It's my version of a handshake to show that I want to make a connection and to show what I'm truly like. It's kind of my statement like, "This is what I'm really like. I'd like you to love me."
I don't consider this hard work. I love it, and I think I get to make a difference. I really believe in Secretary Clinton, and I want to feel like I'm part of making a difference; I really do.
But if you get a kick out of "The Jerry Springer Show," you're going to love it! The idea of hearing these lyrics and profanities - like the chorus at the top of the show - the idea that we're going to hear it in Carnegie Hall is just genius. It's been written with real care! It's not some crappy little musical that somehow found its way off-Broadway with vulgar-intentions. This is really beautiful, operatic music. It has a place in Carnegie Hall.
Nietzsche was the one who did the job for me. At a certain moment in his life, the idea came to him of what he called "the love of your fate." Whatever your fate is, whatever the hell happens, you say, "This is what I need." It may look like a wreck, but go at it as though it were an opportunity, a challenge. If you bring love to that moment-not discouragement-you will find the strength is there. Any disaster you can survive is an improvement in your character, your stature, and your life. What a privilege! This is when the spontaneity of your own nature will have a chance to flow.
You turn on the news, there're no facts anymore. 'Here's what's happening today,' and then you cut to thirty minutes of people in little boxes, little windows, telling you their opinions on it. It seems like all the news is going on in the ticker-tape on the bottom of the news. It's all opinion, it's all editorial.
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