A Quote by Jonah Hill
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
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I've been in the public eye so long, I can't remember how it was when it was different - from my mid-20s onwards, when my career started to blossom and I became an international, world cups and things.
There was a time in my late teens and early 20s where I was motivated by this wanting to get out, to prove to the world that I had something to offer - that kind of youthful spirit, where maybe I had my eye on fame and fortune. I mellowed out in my late 20s and now that I'm in my early 30s, I'm coming to peace with it.
Actors have a different kind of existence because they blow up over night into superstars in their early 20s. Let's say you were a superstar in your early 20s and somebody gave you millions of dollars, I mean come on. Let's be honest here, we don't know anything in our 20s.
Professional motorcycle riders that are pretty young because it's a young man's sport. You're like out of your prime if you're in your mid to late 20s. Which is awful but a lot of guys still do ride into their late 20s. I rode. I just didn't do any of the jumps or races.
I've heard this before from people: early 20s kind of screws with your head a little bit because you're transitioning into adulthood and actually becoming an adult with responsibilities and paying bills. So all of a sudden, it's like you're responsible now.
You start off interested in variety and then it's always about bigger fish, bigger fish and I became fairly obsessive, I think, in my late teens and early 20s.
I started to have notoriety in my late 20s or early 30s - like the first time someone recognized me in public was probably when I was 29 years old.
I went through a normal kind of late teens, early 20s drinking, but it was a choice I made, because I didn’t think it was very good for my life.
I've got a very behind-the-scenes personality. I don't know how I became a performer. I like to stay discreet, out of the public eye, very low-key.
Formerly, a public man needed a private secretary for a barrier between himself and the public. Nowadays he has a press secretary, to keep him properly in the public eye.
A young man had become possessed by a devil. The thing within him burst into loud lamentation and departed from the man. At once the youth's eye fell out on his cheek, and the whole of the pupil which had been black became white.
The thing is that my first novel, which was basically a mystery adventure story, won quite an important award in Spain for young adult fiction, and because of this it became a very successful book, and right now it's some sort of a standard title, it's read widely in many high schools in Spain, so I think, in a way, I was a victim of my own success in the field of young adult fiction, because it was never my own natural register. I never intended to write that kind of fiction, but I became very successful at it.
I grew up and I became very successful at what I did as a young man. I became a work addict because this was the only way I could get any relief from this pain.
While I was in university, my father became very ill and my father was unable to work. We needed to pay the bills, so in my 20s I became the sole income earner in my family.
I lived my teenage years in my 20s when I sort of left home and became Elton John success, then it became Elton John excess... Everything I couldn't do when I was younger I did 10 times over. I was having the time of my life. I was becoming the person that I wanted to be.
In my late teens, early 20s, when I started stand-up and I was living downtown for the first time, I was deep into my blues and Bukowski phase. And, you know, that's when that's appropriate. And I grew out of it.
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