A Quote by Jonas Mekas

For an artist, to be normal is a disaster — © Jonas Mekas
For an artist, to be normal is a disaster
No artist is normal. Who happen to be normal cannot be an artist.
When you study, as I did, every theatrical beginning in this country, none of them have been greeted well. The Royal Shakespeare Company was a disaster, Peter Hall was a disaster, Richard Eyre was a disaster, Trevor Nunn was always a disaster.
I don't need to praise anything so justly famous as Frost's observation of and empathy with everything in Nature from a hornet to a hillside; and he has observed his own nature, one person's random or consequential chains of thoughts and feelings and perceptions, quite as well. (And this person, in the poems, is not the "alienated artist" cut off from everybody who isn't, yum-yum, another alienated artist; he is someone like normal people only more so - a normal person in the less common and more important sense of normal.)
I really like 'Disaster Artist.'
People want to buy cheap and sell dear; this by itself makes them countertrend. But the notion of cheapness or dearness must be anchored to something. People tend to view the prices they’re used to as normal and prices removed from these levels as aberrant. This perpective leads people to trade counter to an emerging trend on the assumption that prices will eventually return to “normal”. Therein lies the path to disaster.
Normal! He thought. Normal! I don't want things to be normal. Normal is always being left out, never belonging.
President Obama said he is going to use the Gulf disaster to push a new energy bill through Congress. How about using the Gulf disaster to fix the Gulf disaster?
As a country with experience of coping with earthquakes, tsunamis and other natural disasters, Japan believes in emphasizing the mainstreaming of disaster risk reduction. We therefore prioritize investment in disaster prevention and post-disaster improvements under a policy of Build Back Better (BBB).
James Franco, Seth Rogen, and Evan Goldberg are the ideal guys to adapt 'The Disaster Artist.'
Returning to South Carolina meant getting a normal job in a normal town with normal people and marrying a normal person. I wanted the glamour and opportunity of the world.
We've seen what happened in Libya, what a disaster that's been driven by Hillary Clinton, and the disaster in Syria and almost disaster in Egypt. What a close call that's been. We're not out of the woods yet with Egypt.
My mother's an artist. My father was an artist and so I assumed that was normal growing up in art and the art world and spending our time around the world seeing art, experiencing things. It was great.
To be an artist and to be recognized by another artist who is, you know, just something you can't even put into words, someone that is so far beyond what the normal human being experience is in terms of creativity and originality. That was kind of a moment where I thought wow maybe I do have something more that makes me special.
I don't know how to have a normal relationship because I try to act normal and love from a normal place and live a normal life, but there is sort of an abnormal magnifying glass, like telescope lens, on everything that happens.
The moral values, ethical codes and laws that guide our choices in normal times are, if anything, even more important to help us navigate the confusing and disorienting time of a disaster.
An artist is maybe not always having a normal life.
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