A Quote by Jonas Mekas

Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I have thousands. — © Jonas Mekas
Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I have thousands.
I am a musician who also does love to explore the world in many ways, so my approaching with my songs, videos, and haikus is: 'Make It Real.'
If I play two minutes, three minutes, 20 minutes, it don't matter to me. As long as we win.
It is not particularly difficult to find thousands who will spend two or three hours a day in exercising, but if you ask them to bend their knees to God in five minutes of prayer they protest that it is too long.
In my case, my videos are zero-cost productions. I don't spend a single penny on them. I take 15 to 16 days to come up with a video and do one or two videos a month. That's a long time.
She had realized there are only fragments, that 'memories' always consist of fragments the mind puts together into a pattern, adapts a picture staked out early without the need for a conenction with anything that really happened. A great deal is misunderstood by small children, then stored as images that attract similar images, confirming and reinforcing.
One of the most positive takeaways I've had from 'SNL' is when we'd make videos back in the day: we'd just write material as we were inspired, and so, in a given year, we'd only put out two or three videos.
In 2001, the hard disk on my laptop crashed, and everything on it was lost. I'd been using the computer for two, almost three years, and had all my work on it - email, which was stored locally; photos; fragments of poems; presentations; sketches; ideas; love letters; everything. I lamented the loss to my friends and got lectured on doing backups.
You see a lot of sketch variety shows where each segment is one joke that they repeat over and over and over again, and the sketches are always three or four minutes too long.
I love telling stories. I love the intimacy between the writer and reader. When you write sketches it's over in two minutes. When you write a book the characters have to have a bit of emotional depth.
I'm the most underrated, most hated, greatest of all time. I constantly have people who quit their jobs just to go on the internet and try to stop me at any and all costs. People flag my videos thousands of times.
My biggest fear is expending the best and most exciting energy in sketches, no matter how quickly executed. I often need to empty the rubbish bin several times before regaining the fresh quality of the initial exploratory sketches.
The span of three or four minutes is pretty insignificant in the scheme of things. People lose hundreds of minutes everyday, squandering them on trivial things. But sometimes in those fragments of time, something can happen you'll remember the rest of your life.
I have learned patience, for sure. Pre-publication is a long waiting game, especially for authors of picture books. We write the manuscript, sign the contract, and wait. It takes a while for the art director to find an illustrator and then the illustrator works on the sketches, and depending on those first round of sketches, it could be a few more months before you see a final illustration. I was surprised at how long it takes for all the pieces to come together.
Two minutes, 30 minutes, whatever, as long as I'm contributing to the team for the 'W.' If I score a point and we win, hey, it's the sorriest point I've ever scored but we got the win.
I've been cheered by thousands, booed by thousands, but nothing feels as bad as the booing inside your own head during those ten minutes before you fall asleep.
The videos I put on YouTube have expanded my audience beyond what I could have done at just a Hamburger Mary's. People saw the videos, started booking me, and literally 40-plus countries and thousands of gigs later I can basically say that YouTube has bought me a house.
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