A Quote by Jonathan Demme
Music films are great, but they can never compete with a live performance. Live music is what it is. It's the whole point. You experience it in the moment.
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I love music, my followers love music, and I know LiveXLive is the ultimate home for the live music experience. We're going to bring great comedy and great music together like no one else is doing, and we'll have incredible access and resources to do it.
Technology has made it much easier to make and manipulate music. Studio-driven, machine-driven music does not always transcend into being a good live act. Many current acts are great live, but many cannot cut it live. The music is not organic.
My goal is to live the truly religious life and express it through my music. If you can live it, there's no problem about the music, because it's part of the whole thing.
This music is forever for me. It's the stage thing, that rush moment that you live for. It never lasts, but that's what you live for.
My goal is to live the truly religious life, and express it in my music. If you live it, when you play there's no problem because the music is part of the whole thing. To be a musician is really something. It goes very, very deep. My music is the spiritual expression of what I am - my faith, my knowledge, my being.
I think the best live shows take you out of the moment into somewhere else and I really...This can be true of recorded music too but my favorite live experience is sort of this transcendendent - is that the word? Transcendental?
I also think something that makes the whole live performance fun for me is that I love my music.
I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
Before the whole [music] business was calibrated around the selling of records. I never could have imagined that live performance would become kind of a vortex of the business. It's such a seismic shift really.
The New Kids took some hits for, you know, not writing their own music. But on a songwriting standpoint, I mean, I'd never written music before when I was in the group, ... Now the music is my music, so it's kind of like my baby, and that was a whole different experience.
I think that there is such power with the live performance of it - so much of what 'Motown' is about is the live performance aspect, really. The power of our production is really the music and the performances.
No matter what, I will always prefer a live performance. Whether it be a play or a musical, or playing music live. As long as it's live, it's the best because there's sort of an immediacy to connection between an audience and a performer, whereas where you do film or television, you're at the whim of so many different forces.
For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it--even of my own music--with the same nuances forever.
All of the silent films had live music accompaniment, so it's actually a very rich period in music.
There's a different kind of experience you have when you experience live entertainment versus the kinds of media we tend to consume most of, when we're watching television or films or reading books. Live entertainment is a whole different beast.
Even if I don't think in visuals about the music while I'm doing it, after the music is finished, it could be great to incorporate that in the live show or doing my own music videos.
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