A Quote by Jonathan Demme

A trilogy is a pretty abstract notion. You can apply it to almost any three things. — © Jonathan Demme
A trilogy is a pretty abstract notion. You can apply it to almost any three things.
STAR WARS is really three trilogies, nine films. The first trilogy covers the fall of the Republic and the rise of the Empire, the middle trilogy the fall of the Empire, and the last trilogy involves the rebuilding of the Republic. It won't be finished for probably another 20 years.
My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
I was an abstract expressionist before I had seen any abstract expressionist paintings. I started when I was a kid and continued just doing abstract stuff all through high school.
Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
I think, first and foremost, Marie Antoinette was intellectually impoverished. She really had never been introduced to the notion of abstract thinking - of thinking at all in any profound way.
I can never fathom it when people say things like "I can't understand abstract art!" Or: "Abstract art is junk!" Or: "Abstract art isn't as valid as realism!"
All you need is a laptop or a PC and an Internet connection and you can pretty much do almost anything and create almost any type of company.
Christianity becomes just a set of things you believe in. It's almost an intellectual kind of abstract issue.
I probably could have toured off 'Trilogy' for the rest of my life. It definitely changed the culture. No one can do a trilogy again without thanking The Weeknd.
After the children grew up, I began to focus on my writing. My first books were part of a trilogy... The 'Wind Dance' trilogy.
I've always viewed 'Sons of the Prophet' as the first part of a larger trilogy - not three plays dependent on each other but three stand-alone plays connected by theme and, likely, further adventures of the Douaihy family.
An abstract painting need in 50 years by no means look "abstract" any longer.
I've been very fortunate with my three spec scripts - which is sort of my thematic trilogy of the American Frontier. With 'Sicario', 'Hell or High Water' and then 'Wind River' - which is the third - there were no rewrites. It was the first draft for all three.
I divide the world into three Classes - The few who make things happen, the many who watch things happen, the overwhelming majority who have no notion of what happens.
I think that the notion of being creative is the notion that, inwardly, you assume that many things are possible. And that you can try these things and that something will happen.
Necromancer gives readers what they've long waited for -- a rousing conclusion to the trilogy begun in Nomadin and continued in NiDemon. Put this trilogy on your 'must-keep' shelf. Enjoy!
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