A Quote by Jonathan Demme

I'm of Neil Young's generation. Neil Young's songs have spoken to what it's like to be at least a white male of his generation over the years. Endlessly, he's sung about the stuff that I really care about. He's put into words the feelings that hit you at different transitional moments in life.
I love Neil Young. His songs were the first songs I learned to play, and I recommend anyone who is starting guitar to learn Neil Young songs first.
Neil Young does throw in a major seven chord here and there, so if you're a new guitar player learning Neil Young songs, you'll learn some seven chords, and some different positions. Nothing too complicated, just enough to kind of open up your knowledge a little bit.
As much as I love acoustic Neil Young - and I do deeply - I may be more passionate about the electric. Luckily it's not a contest, and we never have to make that choice. But Neil Young on an electric guitar - I feel like I've never seen or heard anything like it.
How do I explain Neil Young? Great question! I explain Neil Young as, I would kill to see his acoustic shows.
I wasn't a rock 'n' roll girl. I said, Neil Young, Neil Young, where do I know that name from?
I began hearing rumors of apossible recording session with Neil Young. I was a huge fan of Neil's.
You know, Neil Young is singing Rock n' roll will never die, and Neil never rocked and rolled in his life. I mean, he rocked, but he didn't roll. He has got no swing in him.
Back when I was working with the Stones and with Joe Cocker and Neil Young and Neil Diamond and all of those - 'the boys,' I call them - it was fun.
My songs are like cheap Neil Young copies.
Bob Dylan, Neil Young, Merle Haggard, Hank Williams. All of them are different styles, but those are the songs that make the times. They're the songs that last through time.
The thing about a music career is that it ain't over until the fat lady sings. Look at all the times people threw in the towel on Dylan - or Neil Young. Remember when Young was doing things in the '80s like 'Trans' and the rockabilly album and being completely lambasted by critics who now think he is wonderful again?
So many young people are coming out of a generation that has experienced deep woundedness and brokenness, and they are full of life. They are eager to engage. They care about community, and they care about one another.
Neil Gaiman swooped into my life though another friend, Jason Webley, who knew we were fans of each other's work and introduced us via email. Neil and I, like me and Ben, just hit it off instantly.
I love polished pop music, but stuff like Neil Young's Crazy Horse vibe or Waylon Jennings, that stuff is raw and real.
I learned Neil Young songs, Bob Dylan songs and older songs. It wasn't until I moved to Philly that I had aspirations to maybe forming a band.
My generation those who were students in the late 60s was always, in the words of the Who, talking about our generation. That's what we thought of ourselves, as the most important thing since sliced bread. And the "we" that we meant was really the Western Europeans and American generation. And as I think back I suppose I have a sense of guilt on behalf of my generation, a sense that we were terribly provincial and didn't understand the really important stuff that was going on in Eastern Europe.
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