A Quote by Jonathan Frid
To me, horror is when I see somebody lying. I mean a person I know. A friend. And he's telling me something that I accept. And then suddenly, as he or she is telling it, there's something that gives them away. They're not telling me the truth.
Related Quotes
Pretty That's what I am, I guess. I mean, people have been telling me that's what I am since I was two. Maybe younger. Pretty as a picture. (Who wants to be a cliché?) Pretty as an angel. (Can you see them?) Pretty as a butterfly. (But isn't that really just a glam bug?) Cliché, invisible, or insectlike, I grew up knowing I was pretty and believing everything good about me had to do with how I looked. The mirror was my best friend. Until it started telling me I wasn't really pretty enough.
From my mom telling me 'no' to now telling everyone I'm the champion, and she's so proud of me, and to prove to a lot of people - who didn't believe in me, who didn't think I was going to be here - that I'm here, and I did it. It's been a roller coaster of emotions; it's amazing.
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
People who are deceptive themselves have a really good ear for deception. They know when somebody's telling the truth or not, and so one of the ways around that is to always be telling the truth - or some version of it.
I learned as a really young kid, when my dad was telling me one story and my mom was telling me another that, even as a 5-year-old boy, there was no way that both of these stories are true. Something in the middle is true, and I have to figure out what it is, what the truth is, and I never did quite figure that out.
I like to interpret 'Call me a River', as if I'm saying, 'Now you're telling me you love me after all that, and I'm telling you to shove off.' That's my interpretation. But I would never 'say' that because somebody else might interpret the song in another way.
Telling lies is the easy bit, but telling the truth and pretending you are lying is hard.
One thing that I've learned about myself is I have to trust what I see. And that maybe sounds silly, but there's things that I feel or see during a game that, you know, I used to explain it as I have an angel on one shoulder that's telling me to run the play and the devil on the other shoulder that's telling me really what I should do.
Telling me I can do anything I want is like pulling the plug out of the bath and then telling the water it can go anywhere it wants. Try it, and see what happens.
A gaffe in Washington is someone telling the truth, and telling the truth has never hurt me.
You’re going to tell me that last night shouldn’t have happened.” No. I’m glad it happened. For too long, I’ve been telling myself that I could spend all this time with yo and flirt with you and not have it mean anything. It does mean something. You mean something to me. But I’m not in love with you.
A friend of mine urged me to see my pain as an opportunity. And since the same psychic that contacted Dion Fortune had told me that I was a "teacher" - she didn't mean at Columbia, she meant in the spiritual sense - I decided my affliction was the universe telling me that it was time to stop writing fiction and become the spiritual guru I was clearly meant to be.
Telling you the truth than adore me for telling you lies.
I know that I'm getting the real deal with my mom. I know that she's telling it like it is. She's proud of me when I've earned it and she's disappointed in me when I've earn that. She's really my spectrum on where I am as a person.
I love you, and because I love you, I would sooner have you hate me for telling you the truth than adore me for telling you lies.
We know there needs to be diversity in storytellers telling their own stories. I think there's a beautiful forward movement in that direction with McQueen telling '12 Years A Slave,' with Coogler telling 'Fruitvale,' and with Daniels telling 'The Butler.'
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