A Quote by Jonathan Glazer
You have to understand where the camera needs to me. There were times where you were suddenly aware where the cameras were, then you were in a different place and it didn't feel like the same movie.
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Do you remember when you were 10 or 11 years old and you really thought your folks were the best? They were completely omniscient and you took their word for everything. And then you got older and you went through this hideous age when suddenly they were the devil, they were bullies, and they didn't know anything.
There definitely were times, and I think Michael would say the same thing, where I hated him. We were at odds at times. Even when I loathed him, there were still times when I was like, 'God, I wish I was with him.'
When my grandfather was born, there was no healthcare. There were no airplanes. There were no boats. There were no trains. There were no communications. No Internet. No widespread knowledge. It will be a completely different world but a much better place in a hundred years.
I think the press mistakenly thought that all of these 'mumblecore' filmmakers were banded together in a similar ideology, but the truth is that we were all just using the same digital camera and helping each other make our movies because we were broke, and we were the only idiots willing to do it.
You were the one who made things different, you were the one who took me in. You were the one thing I could count on, above all, you were my friend.
I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!
The slaves were simply turned loose without any property. They were easily recognizable. They were black. They were suddenly free to go exploring.
As the Nazi regime developed over the years, the whole structure of decision-making was changed. At first there were laws. Then there were decrees implementing laws. Then a law was made saying, ‘There shall be no laws.’ Then there were orders and directives that were written down, but still published in ministerial gazettes. Then there was government by announcement; orders appeared in newspapers. Then there were the quiet orders, the orders that were not published, that were within the bureaucracy, that were oral. And finally, there were no orders at all. Everybody knew what he had to do.
I feel like every catastrophe in our lives, you remember exactly where you were, what you were doing, who you were with, almost down to what you were wearing.
There were not a lot of roles for a black man like myself that were different. Then 'Top Boy' came. I read the script and I loved that the characters were human.
I'll spend the rest of my life chasing that feeling I had on 'The Grey,' because I think we're all aware that, first and foremost, we were having an adventure, and we were also making this movie at the same time.
The early entrants into the world of A.R., as with its cousin virtual reality, were disappointing: the phones were too weak, the networks were too slow, and the applications were too nerdy. But now the technological pieces are in place, and a whole generation - much of which is on Snapchat - has come to consider the camera almost a third arm.
At any Trump rally, the Trump supporters were peaceful. They were enthusiastic. They loved America. They were excited. They were pro Trump. They were not bullies. They were not angry. They were not doing anything unless they were provoked.
I lived in Saudi Arabia in the late 1970s. It was, for a Westerner, pretty idyllic. There were the religious police; there were the rules; there were the prayer times. But it was as if we were existing in two separate universes. The Westerners were just allowed to get on with their way of life.
That you were once unkind befriends me now, And for that sorrow, which I then did feel, Needs must I under my transgression bow, Unless my nerves were brass or hammered steel.
I really did feel like I was surrounded by family members. I didn't have a dad, and I remember there were all these guys - in the old days, there were no women, except a makeup artist or, occasionally, a script supervisor. So there were just guys who taught me how to, you know, whittle wood, or how to pull focus, and what the camera was doing. And if I was being bratty, they'd sit me down and tell me. There were lots of rules about not being late and making sure that you didn't spill anything. So it felt a little bit like I was in a family.
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