A Quote by Jonathan Krisel

There's a thing in comedy where you take one step into a bad idea, but if you take 10, then it becomes a good idea again. — © Jonathan Krisel
There's a thing in comedy where you take one step into a bad idea, but if you take 10, then it becomes a good idea again.
I try to wait until things set up just right before I take a trade. Then, when I'm ready to take the trade, I slowly count to ten before I pick up the phone. It's better to have the wrong idea and good timing than the right idea and bad timing.
Where ideas are concerned, America can be counted on to do one of two things: Take a good idea and run it completely into the ground, or take a bad idea and run it completely into the ground.
The idea of faking empathy to take a step forward to understanding - it's a really powerful idea.
The idea behind reinforcement learning is you don't necessarily know the actions you might take, so you explore the sequence of actions you should take by taking one that you think is a good idea and then observing how the world reacts. Like in a board game where you can react to how your opponent plays.
It's absolutely of no importance who or what V was under the mask. He isn't a who or a what, he's an idea. The thing is, you couldn't continue it. Now and then the idea of a sequel has been raised, in vague forms, but I think it would be a bad idea. The story's finished.
There's this famous observation that I totally believe: Great startup ideas are the ones that lie in the intersection of the Venn diagram of 'is a good idea' and 'looks like a bad idea.' So you want most people to think it's a bad idea and thus not compete with you until you get giant. But for it to secretly be good.
There's this idea that artists are free and that means that we can do whatever we want to do. And it's very important to engage with this idea, just as human beings, that we are free to do what we wanna do. So the real question becomes, then, what do we wanna do? And as one gets to know oneself, one finds that there are things that return again and again that you wanna do.
Take up one idea. Make that one idea your life - think of it, dream of it, live on that idea. Let the brain, muscles, nerves, every part of your body, be full of that idea, and just leave every other idea alone. This is the way to success.
When I was younger, the idea of the bad boy was appealing, but then I grew up and realized that stable people are more fulfilling. Bad boys need more time to themselves. I want to be in a relationship with someone who knows how to take care of himself and is therefore able to take care of me. That way, we can put each other first.
Whether or not regime change is a good idea or a bad idea. I don't think because I think the regime change was a bad idea it means that Hussein was necessarily a good idea.
Those that only take a nibble here and a nibble there will never attain anything ... Those who really want to be yogis must give up, once and for all, this nibbling at things. Take up one idea. Make that one idea your life - think of it, dream of it, live on that idea.
The first dumb idea was to do it at all - to take 'Fargo,' this beloved classic, and turn it into a television show. The second dumb idea, when you do it and it works, was to throw everything out and start again.
The way Fatboy Slim layers motifs is the same as 18th-century baroque counterpoint. You have an idea, then you have an answer to the idea in another voice, then you have a counter idea accompanying the original idea, and you build up your texture like that. I'm really into Kruder and Dorfmeister at the moment, and they do the same thing.
The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
I felt that what you should do is really take the best from each party's agenda and come to a solution somewhere above the positions of each party. So from the Left, take the idea that we need day care and food supplements for people on welfare. From the Right, take the idea that they have to work for a living and that there are time limits.
Most of the pilots I choose do not have high-concept ideas, so for me it's not the idea as much as the execution of the idea, and if the idea, like you take a bar in Boston, that's not a high-concept idea. But if it's executed well, it makes a great show.
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