A Quote by Jonathan Krisel
As the director, you have it in your mind how you want the part done, how you want someone to do it, and so sometimes you just say, 'Why don't I do it myself?' So for a little role, I'll just do it.
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It's not enough, is it? Just to follow; just to have faith in someone bigger and smarter and better informed. That's how we're built, that's how every Partial is wired - to follow orders and trust in our leaders - but it's not enough. It never has been. We've followed our leaders, and sometimes they win and sometimes they lose; we do what they say and we play our part. But this is our decision. Our mission. And when we're done, it will be our victory, or our defeat. I don't want to fail, but if I do, I want to be able to look back and say, 'I did that. I failed. That was all me.
I don't want to be a role model. I just want to be someone who says, this is who I am, this is what I do, I say what's on my mind.
I don't want to be just known for the way I dress. I want to be known for how I play, how I treat people, and how I am as a role model. I don't just want to be, 'He dresses cool' or 'He dresses crazy.' You're going to have lovers and haters. I want my golf game to be the main thing.
It's really fun to say no sometimes. I just don't want to discount how fun it is to say no and exercise your right to say no, and - as a girl - it's important to know how to say no... and that no means no!
Have you ever longed for someone so much, so deeply that you thought you would die? That your heart would just stop beating? I am longing now, but for whom I don't know. My whole body craves to be held. I am desperate to love and be loved. I want my mind to float into another's. I want to be set free from despair by the love I feel for another. I want to be physically part of someone else. I want to be joined. I want to be open and free to explore every part of them, as though I were exploring myself.
As an actor, you want to be open to the unexpected. So in order to be open to that, you do have to get out of your discursive mind just like in any creative process, this isn't just about acting. So you have to learn a little bit how to work with your own mind.
Acting is such a high art, and coming from theater, I know how hard it is and respect the craft. I want to look back when it ends, and say I challenged myself. I wanted to be an actor you always remember, and those who are the great ones. That's just a personal journey. If you're too comfortable you're taking it too easy. The director can direct you for two months but before that it's just you and your internal drive. I want people to go to my movies and know it'll be good, and with great actors. You never know what you'll learn from just staying in the same space with them.
I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.
I don't watch 'The X Factor' any more. Why do I want to see someone say the same old thing - it's all they've ever dreamed about - then lose and burst into tears and go into neurosis? They just want to be famous - it doesn't matter how.
If there's something I can do and I feel it should be done, I just want to do it. I just don't want to leave it undone because I'll sit back and say, why didn't I do that? Why didn't I start that business?
You know how some people will say to writers, "Why don't you just write a romance novel that sells a bunch of copies and then you'll have the money to do the kind of writing you want to do"? I always say that I don't have the skills or knowledge to do that. It would be just as hard for me to do that kind of writing as it would be to learn how to do any number of productive careers that I can't manage to make myself do.
You want to give the director what they want, and you don't always know exactly how it goes, so you want to try it a few different ways. You have to be flexible; you have to be in collaboration with the director; you have to be versatile. But you also want to be protective of what you really believe in and how you feel it should be portrayed.
When I hear about people murdering, I wonder, 'What has to go through your brain to say, I don't want him breathing anymore? What makes you get that angry? How can you take someone's breath away? That just blows my mind.'
When you see 'Lord of the Rings,' you want to feel like you've been dropped into it and that you're part of it. You don't want to be aware of how it's being done; you just want it to feel really seamless.
No matter how much you love someone, on a bad day, you could say something terrible. All of the little things that you are saving to say, that you're mad about but never express, sometimes come out, all at once. We all have these terrible moments. That's just part of being human.
There's a fundamental difference between how often men remember to say 'I love you' and how often women want to hear 'I love you.' For the most part, it's on the guy. He's not withholding it intentionally. It's just that we kind of miss the point sometimes, that even in the most nonchalant way, telling the person how you feel is important.
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