A Quote by Jonathan Krisel

I think when you work with people who are super exceptional, there's simplicity to it because everybody is on the same page in terms of tone. — © Jonathan Krisel
I think when you work with people who are super exceptional, there's simplicity to it because everybody is on the same page in terms of tone.
The bigger the budget, the more people that you have to coordinate and it's not easy to do that always because, not only do people have trouble communicating in that way, but often there are internal disagreements and everybody is not necessarily on the same page. Even in a big-budget movie with famous actors and directors, everybody could be on a completely different page. The director has to figure out a way of getting everybody on the same page, more or less, and keeping them there.
I think sometimes writers can get themselves into trouble trying to exert a totally controlled and super-knowing tone. This kind of knowingness is not the most promising tone to be sustained throughout a novel, to have a young woman who understands everybody and is always reading a room perfectly.
I want to encourage people to not think in terms of gifts, but think in terms of, wow. You work hard to succeed at that, because that's exactly what I do.
I'm not worried. I'm just so grateful to be in the position that I'm in. I'm just going with the flow right now, and I think my album will come together quite nicely because I think everybody is on the same page.
A director on a film really sets the tone of how people go about things, so everybody is happy to be at work and everybody does their best.
I just feel very grateful to be a part of that, to be a part of a winning team... I'm trying hard not to be used to it, but I am kind of. It is something where I've run out of people that I want to work with because I've worked with everybody I ever wanted to. I really have. I can't think of anyone I'd want to work with right now because I'd just want to work with the same people again.
For the triangle to really work, everybody needs to be on the same page and know how to play it.
I think when you work enough on your doing freelance stuff on other films, you start to feel what it feels like to work with people who are not totally on the same page as you.
Everybody works the same, but the preparation very often may be different. You cannot work differently. You have to say the words that were written on the page, and you have to make your marks. That's the work.
America's exceptional nature confers upon us responsibilities. We are not exceptional because we say so; we are exceptional because, over and over, we do exceptional things - things like what Generals Marshall and MacArthur accomplished putting Europe and Japan back on their feet after World War II.
There's straight people, and there's super gay people, and then there's everybody in between, and everybody is a little bit of something because sexuality is fluid.
You shouldn't marry unless the both of you are on the same page on a lot of things. Life is going to deal you blows, and you have to be together. Your values and priorities have to be on the same page; otherwise, it won't work.
I really think the people I run into in the NBA, whether it's the front office side or in coaching, everybody wants to work in an atmosphere where everybody's pulling in the same direction.
One can feel the immense joy of Amy Hill Hearth's engagement in her first novel. It radiates through every scene and through every page. Sometimes, an exceptional writer finds an exceptional premise, and the result is a truly exceptional book. Such is the case with Miss Dreamsville...The writing is brilliant, especially the dialogue through which the characters are defined.
As for the differences between audio and the printed page, the sonic aspects of poetry are important to me. I read my poems aloud to myself as I'm composing them. And I enjoy reading to an audience. I think people get tone more easily when they hear a writer read her work. Some people have told me they hear more humor in my poems at a live reading than when they see them on the page. I think that may be a matter of pacing. On the other hand, I've listened to a lot of poetry readings and I know how much you can miss. If you stop to really register one line, you miss the next three or so.
It's the people who work hard and earn big that keep the machine tipping for everybody else. If everybody else was equal down the bottom rung of a ladder, nobody would be on the ladder at all because it would break and everybody would fall off backwards. So you need people at the top to help pull those people up from the bottom. You can't take that and swing to the right. You can't have everybody living in the same ordinary $60,000 house because you may as well live in Russia, Bulgaria or some other Eastern block Communist nation.
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